Vol. 20 No. 3
Jan/Feb 2018
The Censorship Issue
Return to Issue Archive-
Masthead of the Censorship Issue
-
Editor’s Notes on the Censorship Issue
-
Dear Dramatist – January/February 2018
-
The Last Taboo? The “Palestine Exception” in American Theatre
-
Lauren Yee: Ten Questions
-
V: The Craft
-
Do You Censor Yourself When Writing?
-
A Conversation with Paula Vogel
-
Banned Together: Fighting “Obscene and Not Heard”
-
From the Archives: The Freedom to Write
-
Remembering Thomas Meehan
-
Chicago: DG/LMDA Exchange
-
Dallas/Ft. Worth: DG Town Hall
-
Houston: Girls Who Sing in the Choir
-
Missouri: Darren Canady
-
New England – East: NENPA
-
New Jersey: Interview with Kathleen Tolan
-
New York – Central: Interview with Margaret Hall
-
Pittsburgh: Momentum Festival
-
San Francisco: Strange Ladies
-
Seattle: Welcome Home
-
Tennessee: Theatre in Shelbyville
-
Learning Myself All Over Again
-
The Show Dr. Seuss Doesn’t Want You To See
-
From the Desk of DGF: In Support of Dramatists
-
Guild News – January/February 2018
-
Dramatists Diary – January/February 2018
-
Classified Ads – January/February 2018
-
New Guild Members as of December 15, 2017
-
Robert Lopez: Why I Joined the Guild
Photo by Walter Kurtz
My first and only play was denounced from the pulpit of a local church.
Subscribe to gain full access to The Dramatist Issue Archive.
Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.
Guild Members receive our magazine as a benefit of membership!
Joey Stocks
was born into an Arkansas newspaper family. He strayed into theatre as a performer where he’s been working in various capacities ever since. To date, his longest running role was serving as Editor of The Dramatist from August 2011 through September 2023. Currently, he is the Creative Director of Summoners Ensemble Theatre. He says he’s writing a solo show but, honestly, he’s been talking about it for 30 years. He holds a master’s degree in procrastination.
Related Dramatist(s)