Vol. 24 No. 5
May/Jun 2022
The Atlanta Issue
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Masthead of the Atlanta Issue
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Editor’s Notes on the Atlanta Issue
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Dear Dramatist - May/June 2022
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DG Glossary: Collective Bargaining
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Kait Kerrigan: What Copyright Means to Me
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Antoinette Chinonye Nwandu: Ten Questions
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Charles L. White: Ten Questions
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Welcome To Atlanta Playwrights!
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Playwriting in Atlanta: Food for Thought
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Atlanta-Metro Theatres & Resources, Part 1
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Atlanta-Metro Theatres & Resources, Part 2
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Emory University and Actor’s Express
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Alliance Theatre Reiser Atlanta Artists Lab
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Alliance Kendeda National Graduate Playwriting Award
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“Doing” Atlanta Black Theatre Festival
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Atlanta Theatre-To-Go
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Essential Theatre
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New Georgia Woman Project: Black Women Speak, Horizon Theatre
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BWS Emerging Playwrights Collective
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True Colors Theatre Dihvinely Konnecked Commission
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Merely Players Presents: Merely Writers
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Pumphouse Players
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PushPush Arts
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Synchronicity Theatre’s Stripped Bare Arts Incubator
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Theatrical Outfit
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Working Title Playwrights
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Hush Harbor Lab and More
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Additional Atlanta-Metro Resources
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From the Desk of Jordan Stovall: Jubilee for a New Vision
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From the Desk of Emmanuel Wilson: Onward and Upward
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Dallas/Fort Worth: First Move Playwrights Lab and More
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DC: The New Play Landscape
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New England – East: Celebrating our Vibrant Theatre Scene with Elizabeth Addison
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Southwest: Lunch Time with Larissa Brewington
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Tennessee: Tennessee Playwrights Studio
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Dramatists Diary – May/June 2022
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New Guild Members as of March 15, 2022
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Guild News – May/June 2022
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Classified Ads – May/June 2022
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Kristoffer Diaz: Why I Joined the Guild
Dramatists Diary – May/June 2022
The Dramatists Diary has been a continuous member service since 1964. It is a record of member achievements and is printed in six issues of The Dramatist magazine each year. Most Diary listings are self-reported and are usually printed within three to four months from the reporting date. These are listings of past achievements only and do not function as advertisements for upcoming events. If the listing you report is older than twelve months, it will not be accepted or printed in The Dramatist.
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