Vol. 23 No. 4
Mar/Apr 2021
The Environmental Issue
Return to Issue Archive-
Masthead of The Environmental Issue
-
Editor’s Notes on The Environmental Issue
-
Ifa Bayeza: Ten Questions
-
Mindi Dickstein: What Copyright Means to Me
-
Environmental Theatre
-
7 Deadly Sins in Miami
-
Opera by Mail
-
The Environmental Issue
-
On the Environment: A Roundtable
-
The Broadway Green Alliance
-
The Digital Environment
-
A Playwright for 4 Seasons
-
Little Hollow, Tennessee
-
Atlanta: Reflecting on 2020
-
Austin/San Antonio: Defining Success with Jeanette Hill
-
Kentucky: Friday Night Footlights
-
Michigan: Strengthening Connections
-
New England - West: Writing About Climate Change
-
North Carolina: All Hail the Ambassadors
-
Ohio: Both Grief and Memory
-
Oregon: Adapting to the Moment
-
Puerto Rico: Celebrating Myrna Casas
-
Philadelphia: How To Go Crazy – 22 Plays at a Time!
-
Southern California: New Pandemic Realities
-
Southwest: Shuffling and Reshuffling
-
Twin Cities: I’ll Be Seeing You Again
-
Council Digest: Fall 2020 Report
-
New Guild Members as of January 15, 2021
-
Amanda Green: Why I Joined the Guild
First, there was “the room where it happens.” Then, there was “the Zoom where it happens.” Now, the world of digital theatre has expanded both beyond rehearsal rooms IRL (in real life) and beyond the singular teleconferencing platform of Zoom. It has evolved into a whole new medium onto itself.
Subscribe to gain full access to The Dramatist Issue Archive.
Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.
Guild Members receive our magazine as a benefit of membership!
Sarah Rebell
is a theatrical journalist and musical theatre writer. Fellow: National Critics Institute at the Eugene O’Neill Theater Center. Bylines include: TDF Stages, Hey Alma, American Theatre, The Interval, Howlround. Sarah currently works as the Communications Content Manager at the Dramatists Guild.