Transformation
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Masthead – Spring 2026
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Editor’s Notes – Spring 2026
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Letter to the Editor – Spring 2026
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Dear Dramatist – Spring 2026
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Keiko Green: Ten Questions
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TALKBACK: It’s Time to Talk About Money
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DG Glossary: Future Option
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Attorneys Backstage: Pulling Back the Curtain on De-Collaboration and Ending Professional Relationships
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Why We Do What We Do
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The Roundup: Moments of Transformation
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How We Make Our Songs Actable
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Still Bearing Witness: The Conversation Continues
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A Dramatist’s Guide to Boston
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From the Archives: Let Them Eat Plays
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Dramatists Diary – Spring 2026
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ear Dramatist is a new column that invites Guild members to submit questions about craft and career to be answered by DG staff and industry professionals. Whether you’re looking for theatre resources in your area, advice on honing your craft, or tips on navigating a career in theatre writing, the Guild is here to help! Submit your “Dear Dramatist” question here.
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’s (he/him) plays include Alma (CTG’s Kirk Douglas Theatre, American Blues Theater, ArtsWest, Curious Theatre, Central Square, The Spot), In His Hands (Mosaic Theater), and What / Washed Ashore / Astray (Pillsbury House + Theatre). He was named part of “LA Vanguardia: The Latino innovators, instigators, and power players breaking through barriers” by the Los Angeles Times. MFA: David Geffen/Yale School of Drama.
: NYT Critic’s Picks Open (WP Theater), Cut, Geek, and KING KIRBY. The Rocket Men, which has won awards from Venturous and EST/Sloan, is receiving a National New Play Network Rolling World Premiere at three NNPN theatres (Phoenix, Synchronicity, and Angels Theatre); West Coast Premiere, Oregon Contemporary Theatre. IPEX Artists Agency. @crystalskillman