Vol. 22 No. 3
Jan/Feb 2020
The Before and After Issue
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Editor's Notes on The Before and After Issue
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Dear Dramatist: Jan/Feb 2020
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News Roundup: Jan/Feb 2020
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Tony Meneses: Ten Questions
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The Craft with Audrey Cefaly
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Before You Write the Play or Musical, Part One
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The Real Person in Your Play
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Underlying Rights, Part One
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Before You Write the Play or Musical, Part Two
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Contracts 101: Collaborations
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Marketing 201: Beyond Submitting
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20 (Mostly Free) Tips to Promote Your Play or Musical
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Terms of Success: A Look at the Basic Terms of a Production Agreement
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The Road to Riches: Publishing & Licensing
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Playwright's Collectives
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Subsidiary Rights, Part One
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Developing a Long-Term Plan for Your Literary Papers
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DGF Fellows: Erika Dickerson-Despenza
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DGF Fellows: Jay Adana & Zeniba Now
- Jay Adana
- and Zeniba Now
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DGI: Northwestern Musical Theatre Intensive
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California - North: Play Cafe Affords Unique Opportunity to East Bay Playwrights
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Dallas/Ft. Worth: The Politics of Space
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DC: Introducing District Dramatists
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Gulf Coast: Conversations at Bacchanal with Kurt Opprecht
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Houston: Interview with Rachel Dickson
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Missouri: Confluence New Play Festival
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New England - East with Andrea Lepcio
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New Jersey: The Infinity Plays
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Seattle: The Scratch
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DG Southwest Region Going Strong
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Tennessee: Interview with C. Kay “Andy” Landis
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Notes from Puerto Rico, Part Two
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Why I Joined the Guild with Georgia Stitt
Dear Dramatist: Jan/Feb 2020
The Dramatists Guild, from time to time, provides opportunities for its members to publish letters or articles of interest to playwrights and the general theatrical community. However, the Guild does not necessarily endorse the positions taken or the views expressed in such contributions. All such contributions are subject to peer review by The Dramatist Committee and editing by the Guild.
Dear Dramatist,
Re: The Coping Issue
Imagine how many rejections Sophocles received before he hit it big (at the age of 90) with Oedipus Rex. And keep in mind Mark Twain’s sage advice: “Writing is easy. All you have to do is cross out the wrong words.”
Stanley Taikeff
Plainsboro, NJ
Dear Dramatist,
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