Vol. 21 No. 1
Sep/Oct 2018
The Reality Check Issue (2018)
Return to Issue Archive-
Masthead of the Reality Check Issue (2018)
-
Why Isn't the Guild a Labor Union?
-
Dear Dramatist - September/October 2018
-
Annalisa Dias: Ten Qeustions
-
Phillip DePoy: The Craft
-
Survival Jobs
-
The Big "What Now?" Part 2
-
On Writers Groups
-
Working Without An Agent
-
Suggestions for Staged Readings
-
Directing Your Own Work
-
Freelance Isn't Free
-
Rejection Letters That Never Made It Into Print
-
Advice to Young Theatre Composers
-
Copyright Advocacy: Between Never and Forever
-
From the Desk of DGF: What’s the Foundation?
-
Chicago: Can Conversation Change the World?
-
Dallas/Fort Worth: Will Power
-
DC: Honoring Howard Shalwitz
-
Gulf Coast: The NOLA Project
-
Houston: Texas Playwrights Festival
-
Northern New England: Contracts for Writers
-
New Jersey: Joel Stone
-
San Francisco: The Rest I Make Up
-
Seattle: Out of Grief Comes Art
-
Southwest: New Work!
-
Tennessee: How does a playwright get from New York to Tennessee?
-
Guild News – September/October 2018
-
Dramatists Diary – September/October 2018
-
New Guild Members as of July 15, 2018
-
Why I Joined the Guild with Lloyd Suh
As the city gears up for the joyous yearly mayhem of the Capital Fringe Festival (July 7-29), which features many new (and established) plays in venues all over town, I want to report on the success of one of the most distinguished new play programs in the country, and to take a moment to honor the stepping down of one of DC’s foundational artistic directors, Woolly Mammoth’s Howard Shalwitz.
Subscribe to gain full access to The Dramatist Issue Archive.
Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.
Guild Members receive our magazine as a benefit of membership!
Allyson Currin
is a playwright, actor, professor of theatre, new play advocate, sometime producer, and DC theatre professional.
Related Dramatist(s)