Vol. 19 No. 2
Nov/Dec 2016
The Age Issue
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Masthead of the Age Issue
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Editor’s Notes on the Age Issue
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Dear Dramatist: November/December 2016
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The Craft with Karen Hartman
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The Plight of the Playwright
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Emerging After 50, Part 1
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Emerging After 50, Part 2
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Kander & Pierce
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Writing for Young(er) Audiences
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A Primer on Literary Executors, Part 1
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James Houghton: A Tribute
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Atlanta: Dumb Luck
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Austin/San Antonio: William Mohammad Razavi
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Baltimore: Demographics of the 2015/16 Season
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Colorado: John Moore
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Connecticut: Summer Social
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Kentucky: Larry Muhammad
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Los Angeles: A Meditation on Emergence
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Michigan: MITTEN Lab
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Minneapolis/St. Paul: Rhiana Yazzie
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North Carolina: Women’s Theatre Festival
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Northern Ohio: Introducing Our New Rep
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Philadelphia: World Premieres by Local Playwrights
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Utah: Elaine Jarvik
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Western New York: An Arts Destination
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Getting A Word In Agewise
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Speaking of Elections… 2017 Regional Council Seats
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Dramatists Diary – November/December 2016
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New Guild Members as of September 15, 2016
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Guild News – November/December 2016
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Classified Ads – November/December 2016
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Emily Mann: Why I Joined the Guild

Q
Once you have an idea, how do you proceed? Do you take notes? Do you outline? Do you plunge right in?
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Karen Hartman
was the first playwright celebrated by the VOLT Festival in 2022 with three simultaneous off-Broadway premieres by a single author: New Golden Age (Primary Stages); The Lucky Star (Directors Company); and Goldie, Max & Milk (MBL Productions), all at 59e59. Other recent honors include a Guggenheim Fellowship, the Henry Award, and the Susan Smith Blackburn Prize (Finalist). Her many award-winning plays and musicals are published by Concord Theatricals, DPS, Playscripts, and TCG. She invented and runs The Hundred Day Reckoning: a Creative Response to Hard Change.
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