The Massachusetts Issue
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Masthead of the Massachusetts Issue
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Editor's Notes on the Massachusetts Issue
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Dear Dramatist: March/April 2019
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On Privilege and Art: A New Year’s Resolution
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Regarding MFAs
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Guild News for the Massachusetts Issue
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The Craft with Donnetta Lavinia Grays
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Boston’s New Play Ecosystem
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Boston Playwrights’ Theatre
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Fresh Ink Theatre
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When the Rubber Meets the Road
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Company One Playlab
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A Personal History of the Huntington Playwriting Fellowship
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The Mellon Foundation National Playwright Residency
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Theatre in the Berkshires & Pioneer Valley
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Chester Theatre Company
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Who’s This For, Anyway?
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Merrimack Rep
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Can New Plays Find A Home on Cape Cod?
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Provincetown Tennessee Williams Theatre Festival
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Writer's Retreats
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From the Desk of Business Affairs: The DG Goes Abroad
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From the Desk of DGF: The Seller-Lehrer Family Foundation
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Atlanta: Reiser Atlanta Artists Lab
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Austin/San Antonio: B. Iden Payne Awards Council
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Baltimore: Theatre Staff and Writers Meet to Share Opportunities and Challenges
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Colorado: Naked Angels and Questionable Theatrics
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Kentucky: Paths to Production
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California – South: It's a Party!
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Michigan: Workshopping and Developing New Work
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Twin Cities: Robert Elhai
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North Carolina: Building Bridges
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Ohio: A Playwright’s Path to Production
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Philadelphia: Julie Zaffarano
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Portland: The DGI at Artists Rep
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Utah: Sitting Down with Melissa Leilani Larson
Once you have an idea, how do you proceed? Do you take notes? Do you outline? Do you plunge right in?
It depends on the project, but I am generally someone who prefers to dive right in. Usually, I have a firm idea about how I want a play to work – the premise, maybe the style and the players – but I don’t limit myself beyond those parameters. I need to write myself into a lot of corners to inspire a little surprise. This may or may not be true, but I feel like if I know where the play is going then the audience will too.
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’ plays include Last Night and the Night Before (upcoming production-Denver Center, Kilroys List, Colorado New Play Summit, Todd McNerny New Play Award, NNPN Showcase), The Review (O’Neill Center Finalist), Laid to Rest (O’Neill Center Finalist). Commissioned by The Public Mobile Unit and WP Theater. Inaugural Doric Wilson Independent Playwright Award.