Vol. 21 No. 1
Sep/Oct 2018
The Reality Check Issue (2018)
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Masthead of the Reality Check Issue (2018)
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Why Isn't the Guild a Labor Union?
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Dear Dramatist - September/October 2018
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Annalisa Dias: Ten Qeustions
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Phillip DePoy: The Craft
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Survival Jobs
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The Big "What Now?" Part 2
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On Writers Groups
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Working Without An Agent
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Suggestions for Staged Readings
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Directing Your Own Work
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Freelance Isn't Free
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Rejection Letters That Never Made It Into Print
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Advice to Young Theatre Composers
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Copyright Advocacy: Between Never and Forever
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From the Desk of DGF: What’s the Foundation?
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Chicago: Can Conversation Change the World?
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Dallas/Fort Worth: Will Power
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DC: Honoring Howard Shalwitz
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Gulf Coast: The NOLA Project
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Houston: Texas Playwrights Festival
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Northern New England: Contracts for Writers
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New Jersey: Joel Stone
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San Francisco: The Rest I Make Up
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Seattle: Out of Grief Comes Art
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Southwest: New Work!
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Tennessee: How does a playwright get from New York to Tennessee?
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Guild News – September/October 2018
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Dramatists Diary – September/October 2018
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New Guild Members as of July 15, 2018
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Why I Joined the Guild with Lloyd Suh
The year 2019 will be a windfall for dramatists skilled at adapting works, as a large number of classics finally enter the public domain. Some of you may want to adapt works from other genres, e.g., Kahlil Gibran’s The Prophet, or Agatha Christie’s The Murder of Roger Ackroyd. Others may choose to adapt by simply updating something like George Bernard Shaw’s Saint Joan with contemporary edifice.
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David H. Faux
is licensed to practice law in New York and New Jersey and focuses on Intellectual Property, Entertainment, Art, and Business/Commercial Law. He has served as Of Counsel for the Dramatists Guild of America, Inc. since 2007.
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