The Community Issue
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Masthead of the Community Issue
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Editor's Notes on the Community Issue: Theatre = Community
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As a Writer, How Do You Build Community? Part One
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Theresa Rebeck: Ten Questions
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The Craft with Christopher Demos-Brown
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Keynote Address from 2018 DG National Conference
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As a Writer, What is the Most Unexpected Sense of Community You've Experienced?
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Making a Place at the Table for Differently Abled Writers
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Writing Wrongs
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Imagine More
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The Burden of History Denied: Writing for Social Justice
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The Stage Writer as Change Agent
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The Art of Turning Pain into Power
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Bedrock Initiative
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As a Writer, How Do You Build Community? Part Two
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Make Them Hear You, Kid
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Common Bonds
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Imagine: Yemen
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Banned Together 3.0
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Unsafe Spaces: From the Desk of the DG President, Doug Wright
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From the Desk of Rachel Routh: The Community Issue
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As a Writer, How Do You Build Community? Part Three
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Chicago: Local Writers’ Collectives
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DC: Movers and Shakers
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Gulf Coast: Creating a Room with a View
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Houston: Interview with Jon-Marc McDonald
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New England: Banned Together and More
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New Jersey: Liberty Live Commission
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New York City: Establishing Community
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Pittsburgh: The Ray Werner Play Festival
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California – North: Introducing Patricia Milton
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Seattle: Speed Date Your Play
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Tennessee: Tiger Lily Theatre
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Nikkole Salter: Why I Joined the Guild
For an improv exercise in the 80s, a group of us went to Washington Square, got on soap boxes, and raised tirades. Mine concerned a paycheck so small, it couldn’t feed my starving, fictional children. The response was helpful, heartfelt, and powerful. Today’s world is more complex. We are suffering from a huge rift in our nation’s character: a battle of values where the stakes have never been higher. Historically, theatre has responded to our conflicts, but agitprop or guerilla theatre don’t fit this brutal landscape. Now, when even facts are unfashionable, what is left? Depression?
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’s plays have appeared at Emerging Artists Theatre, EST, and Shenandoah Valley Playwrights Retreat, among other theatres. She also works with 365 Playwrights a Year and Code Red. Her play Origami Tears is included in Facing Forward (Broadway Play Publishing) and Broken Heart Syndrome appears in 105 Five Minute Plays (Smith and Kraus).