The Reality Check Issue (2018)
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Masthead of the Reality Check Issue (2018)
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Why Isn't the Guild a Labor Union?
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Dear Dramatist - September/October 2018
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Annalisa Dias: Ten Qeustions
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Phillip DePoy: The Craft
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Survival Jobs
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The Big "What Now?" Part 2
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On Writers Groups
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Working Without An Agent
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Suggestions for Staged Readings
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Directing Your Own Work
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Freelance Isn't Free
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Rejection Letters That Never Made It Into Print
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Advice to Young Theatre Composers
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Copyright Advocacy: Between Never and Forever
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From the Desk of DGF: What’s the Foundation?
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Chicago: Can Conversation Change the World?
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Dallas/Fort Worth: Will Power
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DC: Honoring Howard Shalwitz
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Gulf Coast: The NOLA Project
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Houston: Texas Playwrights Festival
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Northern New England: Contracts for Writers
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New Jersey: Joel Stone
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San Francisco: The Rest I Make Up
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Seattle: Out of Grief Comes Art
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Southwest: New Work!
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Tennessee: How does a playwright get from New York to Tennessee?
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Guild News – September/October 2018
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Dramatists Diary – September/October 2018
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New Guild Members as of July 15, 2018
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Why I Joined the Guild with Lloyd Suh
When was the last time, in real life, you witnessed an entire community spontaneously burst into song? In harmony? Possibly while dancing? I mean, really?
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was the Chicago Regional Representative for the Dramatists Guild and is a Resident Playwright at Chicago Dramatists. Her musicals include River’s End (ASCAP Foundation Harold Arlen Musical Theatre Award, Bay Area Theatre Critics Circle Award, NAMT Festival, NYMF TAM Award), At Wit’s End (Carbonell Award), Sylvia’s Real Good Advice (Joseph Jefferson Award), and Phantom of the Country Opera (NAMT Festival, published by MTI.) She has served as an animateur with the Chicago Voices Project of Lyric Opera of Chicago, creating original musical theatre works based on the untold stories of community groups throughout the city.