The Massachusetts Issue
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Masthead of the Massachusetts Issue
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Editor's Notes on the Massachusetts Issue
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Dear Dramatist: March/April 2019
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On Privilege and Art: A New Year’s Resolution
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Regarding MFAs
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Guild News for the Massachusetts Issue
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The Craft with Donnetta Lavinia Grays
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Boston’s New Play Ecosystem
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Boston Playwrights’ Theatre
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Fresh Ink Theatre
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When the Rubber Meets the Road
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Company One Playlab
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A Personal History of the Huntington Playwriting Fellowship
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The Mellon Foundation National Playwright Residency
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Theatre in the Berkshires & Pioneer Valley
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Chester Theatre Company
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Who’s This For, Anyway?
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Merrimack Rep
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Can New Plays Find A Home on Cape Cod?
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Provincetown Tennessee Williams Theatre Festival
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Writer's Retreats
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From the Desk of Business Affairs: The DG Goes Abroad
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From the Desk of DGF: The Seller-Lehrer Family Foundation
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Atlanta: Reiser Atlanta Artists Lab
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Austin/San Antonio: B. Iden Payne Awards Council
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Baltimore: Theatre Staff and Writers Meet to Share Opportunities and Challenges
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Colorado: Naked Angels and Questionable Theatrics
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Kentucky: Paths to Production
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California – South: It's a Party!
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Michigan: Workshopping and Developing New Work
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Twin Cities: Robert Elhai
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North Carolina: Building Bridges
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Ohio: A Playwright’s Path to Production
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Philadelphia: Julie Zaffarano
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Portland: The DGI at Artists Rep
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Utah: Sitting Down with Melissa Leilani Larson
Chester Theatre Company is a small professional theatre focused on contemporary work, on the edge of both the Berkshires and the Pioneer Valley. We perform in an intimate 130-seat space in the Chester Town Hall, and across 30 seasons we have fostered a remarkably close relationship between our audience and our artists. As The New Yorker said last year, “Getting there requires some real intentionality. Yet, despite this, CTC manages to produce some of the most adventurous programming in the area.”
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, Producing Artistic Director, produced his first season at Chester in 2016, winning Berkshire Theatre Awards for his 2017 production of Duncan MacMillan and Jonny Donahoe’s Every Brilliant Thing and his 2018 production of Annie Baker’s The Aliens. His own plays include Pride@Prejudice (Playscripts), Coyote Tales (Samuel French), and My Jane, a four-actor adaptation of Jane Eyre. He is also a professor of acting and directing at Smith College.