The Atlanta Issue
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Masthead of the Atlanta Issue
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Editor’s Notes on the Atlanta Issue
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Dear Dramatist - May/June 2022
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DG Glossary: Collective Bargaining
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Kait Kerrigan: What Copyright Means to Me
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Antoinette Chinonye Nwandu: Ten Questions
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Charles L. White: Ten Questions
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Welcome To Atlanta Playwrights!
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Playwriting in Atlanta: Food for Thought
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Atlanta-Metro Theatres & Resources, Part 1
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Atlanta-Metro Theatres & Resources, Part 2
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Emory University and Actor’s Express
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Alliance Theatre Reiser Atlanta Artists Lab
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Alliance Kendeda National Graduate Playwriting Award
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“Doing” Atlanta Black Theatre Festival
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Atlanta Theatre-To-Go
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Essential Theatre
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New Georgia Woman Project: Black Women Speak, Horizon Theatre
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BWS Emerging Playwrights Collective
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True Colors Theatre Dihvinely Konnecked Commission
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Merely Players Presents: Merely Writers
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Pumphouse Players
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PushPush Arts
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Synchronicity Theatre’s Stripped Bare Arts Incubator
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Theatrical Outfit
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Working Title Playwrights
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Hush Harbor Lab and More
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Additional Atlanta-Metro Resources
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From the Desk of Jordan Stovall: Jubilee for a New Vision
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From the Desk of Emmanuel Wilson: Onward and Upward
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Dallas/Fort Worth: First Move Playwrights Lab and More
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DC: The New Play Landscape
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New England – East: Celebrating our Vibrant Theatre Scene with Elizabeth Addison
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Southwest: Lunch Time with Larissa Brewington
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Tennessee: Tennessee Playwrights Studio
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Dramatists Diary – May/June 2022
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New Guild Members as of March 15, 2022
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Guild News – May/June 2022
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Classified Ads – May/June 2022
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Kristoffer Diaz: Why I Joined the Guild
1What was your most memorable theatrical experience as a child?
My mother took me to see The Music Man on Broadway.
2What production do you wish you’d seen?
The Great White Hope.
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is a founding member of Harlem Playwrights 21, a not-for-profit playwriting workshop that has been operating since 2011. His play, Succession, is scheduled to be performed at North Carolina Black Repertory Company in Winston-Salem, NC in May 2022. Another play, The DePriest Incident, was the winner of the 2021 Diverse Voices Playwriting Initiative at Illinois State University as well as a semifinalist in the 2019 Blue Ink Playwriting Award Competition. His first full-length play, Unentitled, was a semifinalist in the 2019 ScreenCraft Play Competition. Charles developed his work in New Federal Theatre’s Playwriting Workshop under the tutelage of playwrights Michael D. Dinwiddie, Kermit Frazier, P.J. Gibson, Laurence Holder, Cassandra Medley, and Richard Wesley. He is a graduate of Princeton University, where he participated in the Creative Writing Program under the late author, Wilfrid Sheed, and NYU Law School.