Vol. 24 No. 4
Mar/Apr 2022
The Innovation Issue
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Masthead of The Innovation Issue
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Editor’s Notes on The Innovation Issue
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Dear Dramatist – March/April 2022
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DG Glossary: Work For Hire
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Jason Robert Brown: Ten Questions
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Marsha Norman: What I’m Teaching Now
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The Listening Party
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Innovative Dramatists
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Innovation is Nothing New
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Midnight Oil Collective
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Dreaming the Queer Future
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How Should We Go On? The Great Realignment Begins
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New Works Now In The Public Domain
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Atlanta: Staying Optimistic
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Kentucky: Roots of the Bluegrass New Play Award
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Michigan: A More Inclusive Theatre Community
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New England – West: Ample Innovation
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The Carolinas: Crossing Over Into 2022
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Ohio: A Cincinnati Update
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Oregon: Whipping Up a Flurry of Creativity
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Philadelphia: The Hand that Holds the Quill
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Puerto Rico: The Santaliz Archive (Archivo Santaliz)
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California – South: Art in the Time of Omicron
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Twin Cities: A Certain Solidarity
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New York State: Hudson Valley & Capital Region Funding Roundtable
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Dramatists Diary – March/April 2022
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New Guild Members as of January 15, 2022
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Guild News – March/April 2022
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Classified Ads – March/April 2022
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Nikkole Salter: Why I Joined the Guild

Darren Lee, center, and the cast of Gold Mountain at Utah Shakespeare Festival. Photo by Lia Chang.
For this issue, I talked to Los Angeles playwrights about their hopes for the future.
Jason Ma is a writer/composer/theatre artist who is bound and determined to see more inclusion of Asian stories in the theatrical canon.
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Diana Burbano
is a Colombian immigrant, playwright, and Equity actor. Ghosts of Bogotá was commissioned and debuted at Alter Theater, Feb 2020, Fabulous Monsters opens in 2023 at the Public Theatre of San Antonio, featuring the music of FEA. dianaburbano.com
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