The Pacific Northwest Issue
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Masthead of The Pacific Northwest Issue
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Editor's Notes on The Pacific Northwest Issue
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News Roundup: Mar/Apr 2020
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Notes to a Playwright
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Postcard from Eugene
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New Plays at Artists Repertory Theatre
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Seattle Rep
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Portland Center Stage: A Conversation with Marissa Woolf
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Village Theatre
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Oregon Shakespeare Festival: A Conversation with Nataki Garrett
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Intiman 2020: A Small Theatre with a Big Heart
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A Contemporary Theatre
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Annex Theatre
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Book-It Repertory Theatre
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Burien Actors Theatre
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Defunkt Theatre
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Macha Theatre Works: In Search of the Strong Female Character
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A Miracle on Stark Street
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Taproot Theatre Company
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Fear, Dread, and the Unknown
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The Northwest Ten Festival
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Hedgebrook: A Love Story
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LineStorm Playwrights
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Parley: A Seattle Playwrights' Group
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Portland Civic Theatre Guild
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Rain City Projects
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DGF Fellows: Charles Gershman
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DGF Fellows: Aryanna Garber & Benjamin Velez
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DGF: Our 9th Gala
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What is the DG Regional Rep and Ambassador Program?
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Atlanta: Meet Laura King, Southern Georgia Ambassador
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Austin/San Antonio: FronteraFest
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Baltimore: Interview with Donna Ibale
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California - South: “Because I’m a Playwright”
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Colorado: Heather Beasley Profile
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Michigan: Ann Arbor Writing Retreat
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Kentucky: Teatro Tercera Llamada
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New England - West: Interview with Darcy Parker Bruce
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North Carolina: DG Footlights
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Ohio: Getting Off on the Right Foot
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Philadelphia: The New Rep’s First Year
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Twin Cities: Playwright Cabal
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Upstate New York: Alleyway Theatre
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Notes from Puerto Rico, Part Three
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Why I Joined the Guild with Lisa Kron
My first conversation Josh Aaseng from Book-It Repertory Theatre in Seattle lasted a couple of hours on the phone. We were like long lost cousins who couldn’t get enough of talking with each other about the challenging and exhilarating process of adapting literature into vibrant stage performance. We chewed over everything from wish lists of books to adapt for next season, techniques to make descriptive prose pop on stage, the frustration of rights being pulled because a production company “owns” the book.
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(playwright, director) co-founded Literature to Life with Wynn Handman at the American Place Theatre. Now in its third decade, Lit to Life performs solo verbatim text adaptations of contemporary literature around the country, accompanied by educational programing and community discussion. Her adaptations: Diaz’s The Brief Wondrous Life of Oscar Wao, Baldwin’s If Beale Street Could Talk, Lowry’s The Giver, Cisneros’ The House on Mango Street, and County of Kings with Tony award-winning spoken-word poet, Lemon Andersen, which went on to the Public Theater in New York and venues around the world. www.elisethoron.com