Vol. 22 No. 4
Mar/Apr 2020
The Pacific Northwest Issue
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Masthead of The Pacific Northwest Issue
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Editor's Notes on The Pacific Northwest Issue
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News Roundup: Mar/Apr 2020
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Notes to a Playwright
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Postcard from Eugene
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New Plays at Artists Repertory Theatre
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Seattle Rep
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Portland Center Stage: A Conversation with Marissa Woolf
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Village Theatre
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Oregon Shakespeare Festival: A Conversation with Nataki Garrett
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Intiman 2020: A Small Theatre with a Big Heart
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A Contemporary Theatre
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Annex Theatre
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Book-It Repertory Theatre
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Burien Actors Theatre
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Defunkt Theatre
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Macha Theatre Works: In Search of the Strong Female Character
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A Miracle on Stark Street
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Taproot Theatre Company
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Fear, Dread, and the Unknown
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The Northwest Ten Festival
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Hedgebrook: A Love Story
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LineStorm Playwrights
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Parley: A Seattle Playwrights' Group
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Portland Civic Theatre Guild
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Rain City Projects
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DGF Fellows: Charles Gershman
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DGF Fellows: Aryanna Garber & Benjamin Velez
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DGF: Our 9th Gala
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What is the DG Regional Rep and Ambassador Program?
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Atlanta: Meet Laura King, Southern Georgia Ambassador
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Austin/San Antonio: FronteraFest
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Baltimore: Interview with Donna Ibale
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California - South: “Because I’m a Playwright”
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Colorado: Heather Beasley Profile
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Michigan: Ann Arbor Writing Retreat
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Kentucky: Teatro Tercera Llamada
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New England - West: Interview with Darcy Parker Bruce
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North Carolina: DG Footlights
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Ohio: Getting Off on the Right Foot
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Philadelphia: The New Rep’s First Year
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Twin Cities: Playwright Cabal
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Upstate New York: Alleyway Theatre
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Notes from Puerto Rico, Part Three
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Why I Joined the Guild with Lisa Kron
Our theatre scene is dotted with small, scrappy, fiercely inventive theatre companies—many of them surviving (and thriving) without permanent walls and with minimal staffing. One perpetual challenge is getting the word out about shows, and elevating awareness of Baltimore’s diverse theatre scene in the process. Doing this well has direct implications for lifting up the work of locally produced dramatists so their work becomes better known.
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