The Age Issue
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Masthead of the Age Issue
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Editor’s Notes on the Age Issue
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Dear Dramatist: November/December 2016
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The Craft with Karen Hartman
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The Plight of the Playwright
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Emerging After 50, Part 1
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Emerging After 50, Part 2
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Kander & Pierce
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Writing for Young(er) Audiences
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A Primer on Literary Executors, Part 1
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James Houghton: A Tribute
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Atlanta: Dumb Luck
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Austin/San Antonio: William Mohammad Razavi
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Baltimore: Demographics of the 2015/16 Season
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Colorado: John Moore
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Connecticut: Summer Social
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Kentucky: Larry Muhammad
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Los Angeles: A Meditation on Emergence
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Michigan: MITTEN Lab
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Minneapolis/St. Paul: Rhiana Yazzie
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North Carolina: Women’s Theatre Festival
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Northern Ohio: Introducing Our New Rep
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Philadelphia: World Premieres by Local Playwrights
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Utah: Elaine Jarvik
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Western New York: An Arts Destination
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Getting A Word In Agewise
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Speaking of Elections… 2017 Regional Council Seats
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Dramatists Diary – November/December 2016
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New Guild Members as of September 15, 2016
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Guild News – November/December 2016
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Classified Ads – November/December 2016
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Emily Mann: Why I Joined the Guild
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Daryl Lisa Fazio
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Split in Three at Florida Rep. Photo by Nick Adams Photography.
Talking to young(er), launch-pad playwrights can be a butt-kicking experience. Their bright-eyed enthusiasm brings back the moment we each realized our own calling, and then reminds us not to spend so much time looking back that we get stuck there. Then there’s the late starter who doesn’t worry about looking back.
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is an award-winning playwright and director/dramaturg with production credits in the U.S., Germany, Guam, and Ireland. Currently writing the book for a musical adaptation of Louise Shiver’s award-winning novel Here to Get My Baby Out of Jail with composer Mark Swanson, she is co-founding AD of multiShades.atlanta and chairs DG’s Regional Affairs Committee.

is an Atlanta-based playwright, Co-Founder of the Hush Harbor Lab, and Ph.D student in Religion at Vanderbilt University. A former Dramatists Guild Ambassador, she is currently commissioned with Out of Hand (screenplay Comfort), Oakland Cemetery, and Horizon Theatre Company (Black Women Speak Emerging Collective).