The Translation and Adaptation Issue (2013)
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Masthead of the Translation and Adaptation Issue (2013)
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Editor’s Notes on the Translation and Adaptation Issue (2013)
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Dear Dramatist - March/April 2013
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Theresa Rebeck: The Craft
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Julia Cho: Ten Questions
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Translating Lyrics
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Rhonda Shook: On Translations and Adaptations
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Susan DiLallo: On Translations and Adaptations
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Challenges of Translation
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Ellen McLaughlin: On Translations and Adaptations
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Henry Ong: On Translations and Adaptations
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Sandra Seaton: On Translations and Adaptations
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Three Rules for Adapting and Translating the Ancient World
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Mark Nutter: On Translations and Adaptations
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Alan Menken: On Translations and Adaptations
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Roundtable on Translations and Adaptations
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The Business Side of Adaptations
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Of Bilingualism: Teatro’s Au Courant Significance
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Arizona/New Mexico: Documenting History
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Atlanta: 3 Hill Productions
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Austin/San Antonio: Luminaria
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Baltimore: Growing the Scene in 2013
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Boston: Notes from the Field
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Chicago: Teatro Vista
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DC: A Killing Game
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Florida: Bigger, Better, Stronger
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Houston: What’s the Worst That Can Happen?
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Ithaca Region: When the Snow Melts
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Los Angeles: Fix it Later
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Minneapolis/St. Paul: Raw Stages Festival
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New Jersey: Luna Stage
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North Carolina: College Discovery Day
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Ohio: It’s Working!
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Pittsburgh: 13P
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Seattle: A Visit From Alan Menken
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Utah: Charles Morey
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Western New York: The Wheels of Bankruptcy and Resolution
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E-Publishing Roundtable, Part Two
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Mr. Blah Blah Blah
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Seven Lessons Learned at MacDowell (+ one more learned in New York)
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Happy Spring!
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Guild News – March/April 2013
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Dramatists Diary – March/April 2013
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New Guild Members as of January 15, 2013
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Classified Ads – March/April 2013
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Jonathan Reynolds: What Guild Membership Means to Me
Forgive me if you’ve heard this…but I can’t get the phrase “all wretch and no vomit” out of my head -- and not because it’s January 1. Rather, the words are from an archival radio broadcast of Alan Watts “What if Money Didn’t Matter,” where he says it’s stupid to go on doing things you don’t like and expect any kind of success. “All wretch and no vomit. It never gets there.” “It” in this case refers to excellence, but “there” is all about self-motivation. And that’s what I’m thinking about on this first day of 2013, because of two recent “headlines.”
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is an award-winning playwright and director/dramaturg with production credits in the U.S., Germany, Guam, and Ireland. Currently writing the book for a musical adaptation of Louise Shiver’s award-winning novel Here to Get My Baby Out of Jail with composer Mark Swanson, she is co-founding AD of multiShades.atlanta and chairs DG’s Regional Affairs Committee.