The Atlanta Issue
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Masthead of the Atlanta Issue
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Editor’s Notes on the Atlanta Issue
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Dear Dramatist - May/June 2022
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DG Glossary: Collective Bargaining
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Kait Kerrigan: What Copyright Means to Me
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Antoinette Chinonye Nwandu: Ten Questions
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Charles L. White: Ten Questions
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Welcome To Atlanta Playwrights!
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Playwriting in Atlanta: Food for Thought
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Atlanta-Metro Theatres & Resources, Part 1
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Atlanta-Metro Theatres & Resources, Part 2
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Emory University and Actor’s Express
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Alliance Theatre Reiser Atlanta Artists Lab
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Alliance Kendeda National Graduate Playwriting Award
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“Doing” Atlanta Black Theatre Festival
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Atlanta Theatre-To-Go
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Essential Theatre
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New Georgia Woman Project: Black Women Speak, Horizon Theatre
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BWS Emerging Playwrights Collective
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True Colors Theatre Dihvinely Konnecked Commission
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Merely Players Presents: Merely Writers
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Pumphouse Players
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PushPush Arts
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Synchronicity Theatre’s Stripped Bare Arts Incubator
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Theatrical Outfit
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Working Title Playwrights
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Hush Harbor Lab and More
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Additional Atlanta-Metro Resources
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From the Desk of Jordan Stovall: Jubilee for a New Vision
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From the Desk of Emmanuel Wilson: Onward and Upward
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Dallas/Fort Worth: First Move Playwrights Lab and More
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DC: The New Play Landscape
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New England – East: Celebrating our Vibrant Theatre Scene with Elizabeth Addison
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Southwest: Lunch Time with Larissa Brewington
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Tennessee: Tennessee Playwrights Studio
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Dramatists Diary – May/June 2022
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New Guild Members as of March 15, 2022
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Guild News – May/June 2022
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Classified Ads – May/June 2022
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Kristoffer Diaz: Why I Joined the Guild
Atlanta holds a vaunted place in my narrative. Reading Sunday’s Atlanta Journal and Constitution with my dad was ritual. I earned a nickname when I interrupted a business meeting at the hotel Dad managed. Imitating Dad’s energy and tone, I greeted the eponymous Mr. Atlanta Georgia by his nickname, adding an exuberant hyper enunciation, Misterrrr-Atlantaaaaaa-Georgiaaaa blurred into one word.
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is a Baton Rouge, LA native and honorary Atlantan. Sundance Finalist (Tale of the Lychee Woman), Something Marvelous, RhinoFest (pygMALI), Cultural DC SourceFest (Elegy for Miss Lucy), VSC Rising Voices Fellowship (You Are Cordially Invited to Teas, Mrs. B.), is a proud DG and Black Theatre Network member. She sits on the Honorary Board of Piven Theatre Workshop; Chicago Cultural Accessibility Consortium, and ADA25/Disability+Lead Alum. The C. A. Lyons Project won four of its five Suzy Bass nominations (2015)!