The Season of Reemergence Issue
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Masthead of the Season of Reemergence Issue
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The Season of Reemergence
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DG Glossary: World Premiere
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Lisa Rafferty: What I’m Teaching Now
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Friends We’ll Miss
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Hawai’i: Theatre Across Our Pae ‘aina
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Southern California: Institutional Changes
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Broadway Debut: Pass Over with Antoinette Chinonye Nwandu
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Northern California: New Beginnings and New Voices
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Broadway Show: Mr. Saturday Night with Amanda Green
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Pacific Northwest: Making Memories
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Southwest: Transition and Transformation
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Broadway Show: Paradise Square with Craig Lucas
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Texas: Taking Steps Forward
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Broadway Show: Flying Over Sunset with James Lapine
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Iowa: Back to Work
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Broadway Show: Mr. Saturday Night with Jason Robert Brown
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Twin Cities: Emerging From the Chrysalis
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Ohio: Playwright Producer Faye Sholiton
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Broadway Show: Diana: The Musical with Joe DiPietro
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Chicago: A Comeback Season
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Michigan: More Connected Than Ever
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Broadway Debut: Thoughts of a Colored Man with Keenan Scott II
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Broadway Show: MJ the Musical and Clyde’s with Lynn Nottage
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Kentucky: A Season of Zoom New Play Readings with Teri Foltz and Kentucky Playwrights Workshop
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Gulf Coast: New Work Throughout the Gulf
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Philadelphia: A Shot in The Arm for New Play Development
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Broadway Debut: Paradise Square with Masi Asare
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Puerto Rico: Honran a Luis Rafael Sánchez (Honoring Luis Rafael Sánchez)
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Broadway Show: Flying Over Sunset with Michael Korie
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Atlanta: An Interview with SM Shephard-Massat
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DC: Time of Renewal
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Broadway Debut: A Strange Loop with Michael R. Jackson
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Broadway Show: Paradise Square with Nathan Tysen
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New York: Reopening and Reconnecting
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Broadway Debut: POTUS with Selina Fillinger
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New England – West: Bold Moves
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Broadway Show: Flying over Sunset with Tom Kitt
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New England – East: New Work in the North
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Broadway Show: The Minutes with Tracy Letts
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The 2021 New Media Survey Report
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Are You Getting Produced in Your Area? A Call to Action from the Regional Affairs Committee
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Dramatists Diary – July/Aug 2022
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New Guild Members as of May 15, 2022
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Classified Ads – July/Aug 2022
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Christine Toy Johnson: Why I Joined the Guild
In 2021, The Dramatists Guild’s New Media Committee sent out a survey to the DG members regarding the state of digital performance. The mission was to collect data that could give us a preview into the lives of our writers during this strenuous, complicated but ultimately innovative time period. We as writers, and as individuals were challenged beyond our wildest imaginations; forced to dream up new ways of creating theater without the theatre itself. Isolated, we pushed forward; we found alternate routes of sharing, used technology to expand our global reach, and continued to do what we do best: create. Our questions in this survey ranged vastly and sought to understand the experiences of our members both at their core and big picture. How has this time period changed us? Is live streaming now a viable form of theatre?
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What was your overall experience with producing or rehearsing works online?
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Rate how well the technology worked for your production. This includes rehearsals and workshop productions.
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How many of your works were produced online last year?
What work did we create in this time? How do we feel about it? Were we paid what we deserved? Was our work protected under contract? And what are the advantages/disadvantages to this virtual/hybrid world? The survey set out to find the answers—from 466 responses—these are the results.
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is a professionally trained performer turned writer. As a recent grad from New York University, she has studied globally in creative nonfiction, poetry, playwriting, and journalism. She is the sole recipient of the Bevya Rosten memorial award for writing at NYU this spring 2022. Her origins in creativity make her a verbal storyteller, with a particular interest in finding the vulnerable truths of humanity. She is the founder of SoHo Playhouse’s The Lighthouse Series and does freelance writing work across the world, most notably, in Dublin and London. She was the spring intern at the Dramatists Guild and hopes to uplift artists globally in this strenuous, unknown time.