• New Musicals
    Vol. 26
    No. 4
    Autumn 2024

    The Autumn 2024 edition of The Dramatist focuses on the creation and development of new musicals, including Career articles “When Should I Give Someone a Co-Writing Credit?” and “Best Practices for Authorial Billing for Musicals & Opera.”

  • New Plays
    Vol. 26
    No. 3
    Summer 2024

    The Summer 2024 edition of The Dramatist celebrates the 2023-2024 theatre season and world premiere productions throughout the country — and dives deep into what it means to create new plays.

  • Mentorship
    Vol. 26
    No. 2
    Spring 2024

    The Spring 2024 edition of The Dramatist explores the topic of mentorship through conversations between Jeanine Tesori & Paula Vogel and Roger Q. Mason & Steven Dietz.

  • The Art and Activism Issue
    Vol. 25
    No. 5
    May/June 2023

    The Art and Activism of The Dramatist includes a roundtable with Lynn Nottage, Erika Dickerson-Despenza, and Lisa Kron on theatre, activism, and the influence of playwright Lorraine Hansberry on their work; a roundup from Carolyn Gage, Pearl Cleage, Robert Schenkkan, and Keelay Gipson about the intersection of activism and art, and “A Secular Prayer for the Artist’s Radical Rest” from ayla xuan chi sullivan.

  • The Translations and Adaptations Issue (2023)
    Vol. 25
    No. 4
    March/April 2023

    The Translations and Adaptations issue of The Dramatist includes a round-up on adaptations featuring Lee Cataluna, Kate Hamill, Mindi Dickstein, Tim J. Lord, Matthew Spangler, and Jeffrey Hatcher; answers to eight common questions about adaptations from our Business Affairs team; and a roundtable on translations with Migdalia Cruz, Jeremy Tiang, and Jessica Lit, moderated by Caridad Svich.

  • Young Dramatists: A Guide to Help Aspiring Writers Become Professional Artists
    Vol. 1
    No. 1
    2023 Edition

    The first of its kind, Young Dramatists 2023 Edition serves as a primer on the business of writing for the theatre. It is the first and only magazine of its kind, geared towards informing and empowering young theatre writers. No matter your age, you're never too young to view yourself as a professional playwright, composer, lyricist, or librettist.

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