Organizations Type : Membership & Service Organizations

Actors' Equity Association (“Equity"), founded in 1913, is the U.S. labor union that represents more than 51,000 professional Actors and Stage Managers. Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors' Equity is a member of the AFL-CIOand is affiliated with FIA, an international organization of performing arts unions.

Founded on the principle that financial security should extend to actors, too, ActorsFCU has given artists and performers the credit they need to help them realize their dreams.

The Alliance serves on behalf of its members, small and large, leveraging support for the field as a whole; promotes successful practices in the field; and advocates for creative environments that support the work of today’s artists.

The Alliance of Los Angeles Playwrights (ALAP) is a service and support organization dedicated to protecting the rights and addressing the professional needs of the Los Angeles playwriting community We’re often asked, “Why should I pay dues to become a member of ALAP?” Well, there is a series of opportunities to develop and showcase your work (and yourself!), which are only available to current members.

Founded in 1972, A.R.T./New York assists over 380 member theatres in managing their theatre companies effectively so they may realize their rich artistic visions and serve their diverse audiences well. Over the years, A.R.T./New York has earned a reputation as a leader in providing progressive services to our members—from shared office and rehearsal spaces, to the nation's only revolving loan fund for real estate, to technical assistance programs for emerging theatres—which have made our organization an expert in the needs of the New York City nonprofit theatre community. A.R.T./New York supports nonprofit theatre companies in New York City by providing four core programs: Funding, Training, Space, and Connections.

Alternate ROOTS’ programs support the creation and presentation of original art that is rooted in community, place, tradition, or spirit, and promotes social and economic justice.

The American Alliance for Theatre & Education serves and inspires a growing collective of theatre artists, educators, and scholars committed to transforming young people and communities through the theatre arts.

AACT is the national community theatre organization, whose chief goal is to enable community theatres across the country to become the cornerstones of the creative life of their communities—to provide quality entertainment, intellectual stimulation, challenge and opportunity, and to be worthy contributors to an improved quality of life for the communities which they serve.

The mission of American Indian Community House (AICH) is to improve and promote the well-being of the American Indian Community and to increase the visibility of American Indian cultures in an urban setting in order to cultivate awareness, understanding and respect.

Our mission is to support and promote new music created in the United States. We do that in many ways, fostering connections, deepening knowledge, encouraging appreciation, and providing financial support.

ATA is a professional association founded to advance the translation and interpreting professions and foster the professional development of individual translators and interpreters. Its over 10,000 members in more than 100 countries include translators, interpreters, teachers, project managers, web and software developers, language company owners, hospitals, universities, and government agencies.

Our mission is to build recognition and support for the extraordinary and dynamic value of the arts and to lead, serve, and advance the diverse networks of organizations and individuals who cultivate the arts in America. Connecting your best ideas and leaders from the arts, communities, and business, together we can work to ensure that every American has access to the transformative power of the arts.

New York Foundation for the Arts (NYFA) is a nonprofit service organization that empowers working artists and emerging arts organizations across all disciplines at critical stages in their creative lives and professional/organizational development.

Our mission is to create, foster, and preserve affordable and sustainable space for artists and arts organizations. Artspace uses the tools of real estate development to construct or restore places where artists can affordably live and work, supports and contributes to an accelerating national movement of equitable, artist-led community development, and ensures that its spaces remain accessible to artists and their families in perpetuity.

ASCAP is home to more than 725,000 music creator members across all genres - the greatest names in music, and thousands more in the early stages of their careers. We are the only PRO in the US owned and governed by our members.

ALLIANCE FOR JEWISH THEATRE is 501(c)3 non-profit organization made up of theatre-artists, theatres, and other people connected to theatre to promote the creation, presentation, and preservation of both traditional and non-traditional theatrical endeavors by, for, and about the Jewish experience.

An advocate for the field of theatre and performance in higher education, ATHE serves as an intellectual and artistic center for producing new knowledge about theatre and performance-related disciplines, cultivating vital alliances with other scholarly and creative disciplines, linking with professional and community-based theatres, and promoting access and equity. Our mission is to support and advance the study and practice of theatre and performance in higher education.

The Association of Author's Representatives is a nonprofit membership organization founded in 1991, which currently has more than 400 professional literary and dramatic agents as members. Agents must meet the AAR's minimum experience requirements and agree to adhere to its Bylaws and Canon of Ethics. Members in the Literary Branch represent authors in all areas of publishing, including the granting of primary publishing rights, as well as subsidiary rights in their clients' works. Agents in the Dramatic Branch represent playwrights and the rights to their plays. Writers seeking representation are invited to search our public roster of members for appropriate agents, which can be found under the "Find an Agent" tab on the website. The list is organized by name, office and email address, an...

AWP provides support, advocacy, resources, and community to nearly 50,000 writers, 550 college and university creative writing programs, and 150 writers’ conferences and centers. Our mission is to foster literary achievement, advance the art of writing as essential to a good education, and serve the makers, teachers, students, and readers of contemporary writing.

ScriptWorks is playwright development and service organization that was founded to: - Create a home for dramatic writers that stimulates imagination - Develop new dramatic works to their fullest potential and feed them into the local and national markets - Produce and encourage the production of new work that lends dignity to the playwright’s vision - Network and enhance the visibility of the diverse community of playwrights in the Central Texas area

This is a national competition to discover and to encourage American dramatists and was established by Neil Simon in 1977 to foster the development of quality plays for the theater. The competition was renamed in 1985 to honor Julie Harris in appreciation of her continuing encouragement to playwrights.

BTN's ongoing drive is to COLLECT, PROCESS and DISTRIBUTE information that supports the professional and personal development of its members and therefore nurtures the growth of Black Theatre. To meet its goals, BTN has developed programs that target specific sectors of its constituency while operating under the conviction that we are all in this continuum together, and therefore, we are to help each other. The network provides for the development of excellence and the growth of new, visionary theatre professionals through its student design and writing competitions. Through Recognition Awards, BTN acknowledges exceptional accomplishments and participation in workshops designed to help others develop skills specific to Black Theatre.

Founded in 1989 and incorporated in 1993, the mission of BWPG is to support and promote the work of African American playwrights, as well as provide leadership and advocacy on critical issues within the theater world.

BMI supports its songwriters, composers and publishers by taking care of an important aspect of their careers – getting paid. BMI supports businesses and organizations that play music publicly by offering blanket music licenses that permit them to play 14 million musical works. Both relationships save each time and money.

Being a writer in New York City is challenging but finding a quiet place to work can be even harder. We founded Brooklyn Writers Space fifteen years ago to provide an affordable sanctuary where writers can turn off their phones, ignore the dishes in the sink, and do the hard work of writing. The communal lounge and kitchen provide a place to take a break from the writing and chat with other members about work and life. BWS has served over 1800 writers who have published countless articles, books, dissertations, poems, stage and screen plays.

Founded in 1965, the CEAD now has close to 250 Francophone members from Quebec and Canada. An association of playwrights at the playwrights' service, the CEAD provides support for playwriting development and promotes Canadian Francophone plays and playwrights. It enjoys a solid reputation, as much for the sheer number of writers that it counts as members, as for its continuing objectives of quality and innovation.

The Centre for Indigenous Theatre exists to provide theatrical training informed by traditional artistic expression, teaching and values, while creating an environment that encourages cultural exchange of practices and techniques between Nations and communities.

Chicago Dramatists (CD) nurtures playwrights of all levels with the space, resources, and collaborators needed to realize new work and thrive as artists.

The Community Theatre Association of Michigan aims to help community theatre thrive throughout the country, by achieving these goals: - Foster a close relationship among members - Encourage high standards of theatrical productions - Stimulate interest in theatre in Michigan - Provide a means for the exchange of ideas and information about the theatre arts.

Est. 2008 by the Cultural Alliance of Greater Washington, CultureCapital.com connects people to the heart of the thriving arts and culture community throughout Metro DC including the District of Columbia; Montgomery, Prince George's, Arlington and Fairfax Counties; and the City of Alexandria. CultureCapital.com is now a program of HumanitiesDC, a nonprofit organization whose goal is to enrich the quality of life, foster intellectual stimulation, and promote cross-cultural understanding and appreciation of local history in all neighborhoods of DC through humanities programs and grants.

Danish Dramatists is a professional organization for dramatists and scriptwriters in theater, film, television, radio, games and other media as well as librettists, translators and actors of drama. There are over 350 members of the association.

The Educational Theatre Association is an international nonprofit organization that serves as the professional association for theatre educators. EdTA is the parent organization of the International Thespian Society, an honorary organization that has inducted more than 2.5 million Thespians since its founding in 1929. Additionally, EdTA operates the Educational Theatre Foundation, the organization’s philanthropic arm dedicated to increasing opportunity and access to school theatre.

Est. 2002. Fractured Atlas empowers artists, arts organizations, and other cultural sector stakeholders by eliminating practical barriers to artistic expression, so as to foster a more agile and resilient cultural ecosystem.

Fundraiser Help is a comprehensive database that offers information on how to raise funds through various means, including the writing of grants.

The Grant Training Center provides institutions and individuals the highest quality support to find, apply for, win, and manage federal, foundation, and corporate funding. We accomplish this through our federal grant and foundation searches, Member Community, live and online training, grant reviews, proposal editing, and one-on-one assistance.

The Greensboro Playwrights' Forum presents "An Evening of Short Plays" two times a year. Each offers numerous opportunities for actors and directors, both experienced and non-experienced. The purpose of the Evening of Short Plays is to showcase the work of members of the Greensboro Playwrights' Forum. The evening is always unique, absurd, irreverent and enormous fun for actors and audiences alike.

Est. 1984, IIPA is a private sector coalition of trade associations representing U.S. copyright-based industries in bilateral and multilateral efforts working to improve international protection and enforcement of copyrighted materials and open up foreign markets closed by piracy and other market access barriers.

ICWP is virtual organisation; a peer support group for playwrights. We are not a producing house and do not have a physical venue. Please do not send us scripts. Playwrights are invited to become members and receive news of opportunities, join our online discussions, participate in script feedback groups and other membership activities.

ITI-U.S. assists international theatre professionals and scholars by providing information about American theatre practice, introductions to American theatre professionals, and help in planning productive and appropriate visits to the U.S. Advice, information, and contacts are similarly offered to American theatre professionals traveling and working abroad

The Guild was founded in 1976. As a women’s writing guild, we are culturally diverse. From the beginning, we’ve represented women from many backgrounds.

LA STAGE Alliance is a non-profit arts service organization dedicated to building awareness, appreciation, and support for the performing arts in Greater Los Angeles. Since 1975, LA STAGE has worked to support artists and engage audiences of Greater LA through a series of programs, events, and advocacy efforts. All of our initiatives aim to serve and strengthen the sector — both at an individual and community level. Specifically, we provide resources that facilitate audience engagement, collaborative marketing, community building, and professional development.

Est. 1979. Serves a membership of more than 200 theaters, a rich and varied theater community ranging from storefront, non-union theaters with budgets under $10,000 to major cultural centers with multi-million dollar shows. No other theater service organization in the country has such a diverse theater membership.

The League of Professional Theatre Women is a membership non-profit organization that champions women in theatre.

Est. 1985. Volunteer membership organization with conferences, quarterly journal, newsletter, advocacy caucuses, dramaturgy prize, and more. LMDA promotes the creation of stories that reflect a broad spectrum of authentic experiences in our diverse global community. We uphold equity, diversity, and inclusion as our foundational values, and we recognize and examine the intersectionality of our society. We are committed to provoking, addressing, and advocating for issues of justice, equity, diversity, inclusion and land/territory. Our membership is dedicated to fostering an environment of respect, celebrating difference, and seeing the principles above reflected in all aspects of our organization.

Founded in the mid-1950s as the Mississippi Little Theatre Association, the Mississippi Theatre Association was restructured in the early 1970s. In the past, the Association served primarily as a sanctioning organization for the Mississippi theatre festivals and conventions under the aegis of the Southeastern Theatre Conference, the American Association of Community Theatres and the Kennedy Center American College Theatre Festival (SETC, AACT and MTA/KC/ACTF as they are more widely known). Today, MTA includes workshops, auditions, and scholarship programs for high school students; workshops for community theatre members; and much more.

The Mississippi Theatre Association is composed of six divisions targeting distinct groups. Each division sponsors festivals, workshops, and retreats; recognizes excellence in performance and production; advises theatre leaders and educators; shares information on upcoming productions; and advocates to government agencies, business, and the public.

The Montana Arts Council is the agency of state government established to develop the creative potential of all Montanans, advance education, spur economic vibrancy and revitalize communities through involvement in the arts.

Mystery Writers of America, Inc was established in 1945 by a dozen or so like-minded mystery writers for the purpose of promoting and protecting the interest and welfare of mystery writers and to increase the esteem and literary recognition given to the genre.

The National Audio Theatre Festivals, Inc. began in 1979 as the Midwest Radio Theatre Workshop. NATF currently incorporates the learning skills once offered at it's annual week-long workshops into the HEAR Now Festivals Workshop 101 program.

Est. 2004. The New York Musical Festival nurtures the creation, production, and public presentation of stylistically, thematically, and culturally diverse new musicals to ensure the future vitality of musical theater.

The National Writers Association Foundation exists to enhance the future of writers by fostering continuing education through awarding scholarships and providing no or low cost workshops and seminars. A non-profit organization, we provide education and an ethical resource for writers at all levels of experience.

Est. 1969. A non-profit 501(c)3 corporation. The writers workshop meets every other Thursday, usually in Santa Monica, to read work aloud and offer feedback. NPF has produced members' works for stage, film, and video. Writers, actors, directors, producers, composers, and others are encouraged to attend workshop meetings free of charge. Writers may submit after participating in three meetings and making a $25 (annual) tax-deductible donation to NPF.

North Carolina Writers' Network connects, promotes, and serves the writers of this state. We provide education in the craft and business of writing, opportunities for recognition and critique of literary work, resources for writers at all stages of development, support for and advocacy of the literary heritage of North Carolina, and a community for those who write. We believe that writing is necessary both for self-expression and a healthy community, that well-written words can connect people across time and distance, and that the deeply satisfying experiences of writing and reading should be available to everyone.

NYC Playwrights provides submission opportunities, free shows and other theatre related opportunities for theatre lovers in New York City and the world.

The association provides members with an array of publications and online resources, regional workshops, an annual conference and network-specific services such as conference calls, listservs and direct contact with staff with expertise in opera production, administration and education. OPERA America provides members with tools to maximize the effectiveness of financial and human resources, expand the scope of repertoire and programs, and extend their reach to new and diverse audiences. Founded in 1970, OPERA America has an international membership that includes nearly 150 Professional Company Members, 300 Associate and Business Members, 2,000 Individual Members and over 16,000 subscribers to its electronic news service.

For over twenty years, the Orange County Playwrights Alliance (OCPA) has provided writers the opportunity to explore their creativity in an intellectually safe environment by providing table readings and public presentations of members’ work. OCPA additionally order homework help interacts with the theatre community to provide actors, directors, and audiences with entertaining and thought provoking theatrical work. Member playwrights have gone on to have their work nationally produced and published. Many works have been used as social tools to educate or enlighten the surrounding community

Since 1955, writers in the NW have been dedicated to helping writers connect to other writers, publishers, agents, and editors across the country. Zola Helen Ross and Lucille McDonald came together to form the Pacific Northwest Writers Association and since the beginning many people have dedicated their time to ensure its continuation. Over the years we have expanded our efforts so that writers receive a trusted resource within this ever-changing publishing industry while staying true to our mission of helping writers carve out their place and provide them with a platform for their literary voice.

PEN America stands at the intersection of literature and human rights to protect free expression in the United States and worldwide. We champion the freedom to write, recognizing the power of the word to transform the world. Our mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.

The PDC is a community of playwrights, collaborating artists & audience members based in Philadelphia PA. We're dedicated to the creating & nurturing of new theatre work. We develop resources, stimulate creative partnerships, & participate in the ongoing national dialogue about how & why theatre is created.

Our purpose is developing New Zealand's best playwrights and their plays through:
 a) Promoting our playwrights' work nationally and internationally.
 b) Upholding playwrights' standards and rights.
 c) Providing access to New Zealand scripts.
 d) Identification and development of playwrights of excellence.

PACT is a member-driven organization of professional Canadian theatres which serves as the collective voice of its members. For the betterment of Canadian theatre, PACT provides leadership, national representation and a variety of programs and practical assistance to member companies, enabling members to do their own creative work.

The Writers’ Union of Iceland (RSÍ) is a professional organisation for authors founded in 1974. Until then, Icelandic writers had a union since 1928 when writers got their own chapter within the Artists Union of Iceland. From 1945, Icelandic writers formed two unions which worked closely together from 1957 until they eventually merged. The Writers’ Union of Iceland currently has some 470 members, including poets, novelists, dramatists, scriptwriters, writers of children’s books, authors of academic works, and translators.

Est. 1969, the Saskatchewan Writers’ Guild is a provincial cultural organization that represents writers in all disciplines and at all levels of achievement. It operates as a not-for-profit provincial cultural organization, fosters excellence in Saskatchewan writing and promotes public awareness of our literature. It acts as an advocate to improve the status of Saskatchewan writers, encourages the development of writers of all ages and levels through educational opportunities and strives to improve public access to Saskatchewan writers and their work. Membership is open to writers and those interested in Saskatchewan writing.

The Shubert Organization is America's oldest professional theatre company and the largest theatre owner on the Broadway. Since the dawn of the 20th Century, Shubert has operated hundreds of theatres and produced hundreds of plays and musicals both in New York City and throughout the United States. Shubert currently owns and operates seventeen Broadway theatres and six off-Broadway venues.

SETC is the strongest and broadest network of theatre practitioners in the United States. We provide extensive resources and year-round opportunities for our constituents. Our services, publications, and products contribute significantly to the careers of emerging artists, seasoned professionals and academicians. SETC energizes the practical, intellectual and creative profile of theatre in America.

A non-profit membership organization, S.T.A.G.E. promotes the theatrical, broadcast, and film industries, serving as an informational clearinghouse, providing training and education in many facets of the entertainment industry, and providing meeting space and studio rentals in the North Central Texas Region. The cost of an Adult membership for your first year is $75.00 membership fee plus a one time application fee of $15.00 = $90.

Est. 1985. StageSource provides leadership and services to advance the art of theater in the Greater Boston and New England region. Our mission is to unite theater artists, theater companies, and related organizations in vision and goals that inspire and empower our community to realize its greatest artistic potential.

The Centre gives you a wealth of benefits ranging from discounted tickets to exclusive services. Established writers may seek teaching opportunities in our statewide workshop program, career support through our high-profile readings, festival partnerships and feature events, access to visiting writers for networking, and free marketing for their book launches. For emerging writers, we offer guidance, outstanding literary events, services such as manuscript assessment and connection to a wide literary community. Our monthly e-newsletter, Writas, offers the latest industry news, events listings, competitions and opportunities to develop your work – often running to ten or more pages of writer-specific opportunities.

National Trade Association for the Broadway Theatre Industry.

Est. 1986. Founded by artists for artists. The Field is a 501(c)(3) nonprofit organization that provides fiscal sponsorship, professional development services, and creative resources to thousands of performing artists in New York City and beyond. Arts and culture workers need access to opportunities, resources, funding, advice and information to bring their visions to life. It is The Field’s mission to provide this access for artists, with an intentional focus on those who experience barriers to advancement based on race, cultural identity, ability, sexual orientation, or other identities. These values are manifested in our programming, staffing, and advocacy. The Field is intentionally practicing, implementing, learning, and doing. The work is constant and consistent. We are a work-in-pr...

The Mission of the League, a not-for-profit 501 (c) (3) corporation, is to encourage, recognize, and promote the production of creative work of professional standard in Art, Letters, and Music, and through outreach activities provide educational, creative, and professional support to members and non-members in these disciplines.’ The core values of the NLAPW are respect, knowledge, creation and preservation of the arts. Today, the NLAPW has 81 branches in 35 states and many members-at-large. There are over 1,600 professional women artists, writers, composers, and choreographer members of the League, some in large cities such as New York, Atlanta, the San Francisco Bay area, and Honolulu, and others in rural areas, such as Vermont, the Dakotas and in Hawaii. From Mississippi Delta public s...

The Playwrights' Center of San Francisco (PCSF) encourages and develops local playwrights and promote script writing, audience development, and related arts.

The Purple Circuit exists to promote LGBTQ theater and performance throughout the world. The Circuit maintains directory of LGBT friendly venues, free listing of playwrights, submission opportunities, and online newsletter.

The Songwriters Guild of America is keenly aware that American music has been the backbone of entertainment exports to the rest of the world, a major foundation of America's gross national product and, most importantly, a cultural touch stone of our emotions, memories and lives. Since 1931, the SGA has fought to protect songwriters, the music they create and their ability to earn a living for themselves and their families. The SGA carries out its mission in three ways: through its music advocacy on Capitol Hill and elsewhere throughout the world; through services to professional and developing songwriters; and through community outreach via the Songwriters Guild of America Foundation.

WGGB is a trade union representing professional writers in TV, film, theatre, radio, books, comedy, poetry, animation and videogames. Our members also include emerging and aspiring writers.

Est. 1978 by four writers who met in the New York Public Library on 42nd Street and Fifth Avenue, The Writers Room (WR) is New York City’s first and most acclaimed professional writers' colony – as well as the nation’s original writers' collective. Membership fee required. See website for details.

Est. 1976. At Theatre Bay Area, we believe that the arts are essential to a healthy and democratic society. We work to nourish our creative community and expand access to the arts for all. We are the largest arts service organization of our kind, supporting the radical creativity of our members with unparalleled access to educational, financial and professional resources. Now engaging millions of arts participants each year, our members' work is situated at the dynamic intersections of technology, arts, entertainment and culture. The result—our region is one of the most vibrant and unique cultural destinations in the world.

Theatre Communications Group (TCG), the national organization for the American theatre, was founded in 1961 with a grant from the Ford Foundation to foster communication among professional, community, and university theatres.

Theatre Development Fund, a not-for-profit organization, was created with the conviction that the live theatrical arts afford a unique expression of the human condition that must be sustained and nurtured. TDF’s twofold mission is to identify and provide support, including financial assistance, to theatrical works of artistic merit and to encourage and enable diverse audiences to attend live theatre and dance in all their venues.

TYA/USA serves and represents the national field of theatre for young audiences.

Est. 1971. Theatre Project—through the presentation of a diverse array of original and experimental theatre, music, and dance—connects the artists and audiences of Baltimore with a global community of performers. We seek to nurture those artists who are actively experimenting with new forms of expression and support both performers of international reputation and emerging local companies creating new work.

Est. 1962. The oldest continually running theatre company in Los Angeles. It is a democratic artistic cooperative of actors, writers, directors, administrators, executive and artistic Board members and technical professionals dedicated to the artistic growth of its members. Our threefold mission statement is to conduct workshops to further our member’s artistic growth, present performances grown from those workshops and to do outreach to the greater community. Dues paying company members enjoy access to workshops in acting, playwrighting, musical theatre and Shakespeare.

Though registration isn't required for protection, copyright law provides several advantages. See website for details and registration.

Est. 1969. Provider of pro bono legal and mediation services, educational programs, publications, and advocacy to the arts community in NYC. Fees: based on client's finances.

Est. 1993, WAPAVA is a nonprofit organization, incorporated in Washington, DC, and is one of only three major continuous Actors’ Equity-approved video performance archives in America. WAPAVA is a resource for theater professionals and scholars; students and educational programs; specialized researchers in local/national theater history; and the public. See website for location and details.

The Women in the Arts & Media Coalition combines our member organizations' abilities and strengths, focusing on issues of concern to women in the arts and media. We are committed to being the link between our member organizations as we collaborate to empower women in our industry through advocacy, mentoring, networking, and events.

Fosters the development and production of plays written by women through educational outreach, workshops, readings and productions.

WPI is an opportunity to meet, to build networks, to create genuine, lasting contacts between women playwrights and theatre professionals. Our aim is to have a supporting impact on cooperations and to build bridges between people from different parts of the world. WPI was founded in 1988 and held its first conference in Buffalo, NY. Two hundred women from over 30 countries were in attendance. Since then, women playwrights have gathered in Canada, Ireland, Greece, Australia, the Philippines, Indonesia, India, Sweden, and South Africa.

Est. 1994. A worldwide community of artists and allies that works for empowerment, opportunity, and visibility for women artists. We provide a variety of free online networking, fundraising and advocacy services, and we organize Support Women Artists Now Day (SWAN Day), an annual international holiday celebrating women’s creativity in all its forms. We believe in the power of women artists to create, connect, and change the world. WomenArts does not have a grants program, and we do not have enough staff to respond to fundraising questions.

Est. 1992, WTA is a union of theatre artists (female and male) and theatre organizations which support women, helping to promote leadership and provide opportunity within the theatre community. Alliance members are encouraged to share their advice, knowledge and expertise in the hopes of creating an environment of mutual support and unity in which women's theatre can flourish. WTA works to build a unified voice so that we can more effectively be advocates for women in theatre, publicize and promote our members and increase positive public awareness of our goals.

A labor union of thousands of professionals who are the primary creators of what is seen or heard on television and film in the U.S., as well as the writers of a growing portion of original digital media content. On joining the Guild, writers from an extraordinarily vast range of backgrounds and abilities unite to promote, protect, and maintain important artistic and professional principles. The Guild’s assistance is provided regardless of the writers’ degree of success.

A labor union composed of the thousands of writers who write the content for television shows, movies, news programs, documentaries, animation, and Internet and mobile phones (new media) that keep audiences constantly entertained and informed.

Est. 1976. A charitable organization that seeks to advance, nurture, and celebrate Canadian writers and writing, founded in 1976 by Margaret Atwood, Pierre Berton, Graeme Gibson, Margaret Laurence, and David Young. Writers’ Trust programming is designed to champion excellence in Canadian writing, to improve the status of writers, and to create connections between writers and readers.

Est. 1919. The professional trade association for theatre writers: playwrights, composers, lyricists, and librettists in the United States. The Guild works for the professional rights of writers of stage works and the conditions under which those works are created and produced. Also fights to secure fair royalties and protect subsidiary rights, artistic control, and copyright ownership. See website for details.

To stimulate, foster and promote public interest in the arts and educate the american people in the fine arts.

Formerly The Actors Fund, the Entertainment Community Fund is a national human services organization here to meet the needs of our entertainment community with a unique understanding of the challenges involved in a life in the arts. Services include emergency financial assistance, affordable housing, health care and insurance counseling, senior care, secondary career development and more. We provide free and confidential assistance nationally to everyone who works in performing arts and entertainment—including actors, dancers, musicians, stagehands, playwrights and many more. Whether you work on stage or on camera, behind the scenes or below the line, you can contact The Actors Fund for support.

Est. 1971. TNT's mission is to support and serve the theatre community of Texas, and specifically: to promote high standards in theatre arts; to continue to provide professional training and development for individuals involved in theatre; to promote the development of educational theatre; to provide a forum for the exchange of information and ideas by persons engaged in theatre; to aid and encourage the formation of new theatre groups and support established theatre organizations; to provide information and advocacy for the needs of theatres in Texas within the limits of the law.

New Jersey Theatre Alliance unites, promotes, strengthens, and cultivates New Jersey’s professional theatres. We advance the theatre community by developing innovative, collaborative, and engaging programs and services for member theatres and their diverse audiences.

The Billy Rose Theatre Division is one of the world’s largest and most comprehensive archives devoted to the theatrical arts. The division's strength and uniqueness lie in its unparalleled collections of personal papers and organizational records, scrapbooks, photographs, posters, programs, reviews, and scripts, as well as its pioneering efforts to document live theatre through the Theatre on Film and Tape (TOFT) Archive. We also provide access to an extraordinary array of traditional published books and journals as well as a circulating collection of theatre books, scripts, videos, and music.

Advocating, Supporting & Building the Playwright community. Playwrights Guild of Canada is a registered national arts service association mandated to advance the creative rights and interests of professional Canadian playwrights, promote Canadian plays nationally and internationally, and foster an active, evolving community of writers for the stage.

Danish Authors’ Society was founded in 1894 and today comprises appoximately 1300 authors, translators, and illustrators.

Centenary Stage Company is northwest New Jersey's premiere regional theater. As a not-for-profit professional theater company, Centenary Stage Company is dedicated to presenting the highest quality of professional theater, live music and dance events at affordable prices. It is the goal of Centenary Stage Company to make the arts accessible to all walks of our regional community and beyond.

Salamanca Arts Centre is the custodian of seven heritage buildings that are home to studio artists in residence, numerous arts organisations working across the visual and performing arts, festivals & events, literature, writing & film, and to designers, makers, retailers of, and commercial galleries for contemporary art and craft. Our purpose and aims are to enrich creativity throughout Tasmania.

Playwrights Project is a nonprofit organization devoted to arts education. Founded in 1985. We provide playwriting workshops in schools and underserved communities, producing community readings, conducting the annual California Young Playwrights Contest for writers under the age of 19, and professionally producing winning scripts in its annual festival of Plays by Young Writers.

New England Theatre Conference is the network that connects, supports and provides resources to theatre artists and educators throughout our region, while promoting excellence in the field.

Northwest Playwrights Alliance supports the theater community in the Pacific Northwest by connecting playwrights, actors, directors, and funders to create unique resources and experiences.

The Lilly Awards Foundation is a 501(c)(3) nonprofit organization whose mission is to celebrate the work of women in the theater and promote gender parity at all levels of theatrical production. The Lilly Awards were started in the Spring of 2010 as an outlet to honor the work of women in the American theater. The founders of The Lilly Awards, or “The Lillys,” as we affectionately refer to them are: Julia Jordan, Marsha Norman and Theresa Rebeck. The awards are named for Lillian Hellman, a pioneering American playwright who famously said “You need to write like the devil and act like one when necessary.”

Founded in 1888 by Edwin Booth, The Players is a private social club that draws its membership from the international theatre community, the related fields of film, television, music, and publishing, as well as respected patrons of the arts.

The 50 Playwrights Project supports Latin@ playwrights by creating digital resources, disseminating research, and supporting new play development. The goals of the 50 Playwrights Project are to: Change the conversation about the American Theatre to include more Latin@ voices; Provide accessible information for those interested in learning more about contemporary Latin@ playwrights; Create a space to explore the diversity of experiences and identities within the spectrum of Latinidad; Support the work of Latin@ playwrights; Promote ethnic, racial, and gender equity in theatre; Connect theatre artists. The 50 Playwrights Project is engaged in providing accessible information about contemporary Latin@ theatre artists. This project serves as a dramaturgical and pedagogical database for artis...

The New Play Exchange®, a National New Play Network project, is the world’s largest digital library of scripts by living writers. Designed and built with the needs of the entire new play sector in mind, the New Play Exchange® serves writers, producers, directors, artistic directors, literary managers, dramaturgs, publishers, agents, actors, professors, students, and even fans of the theater. The mission of the New Play Exchange® is to provide an open, egalitarian platform on which writers all over the world can share their work and others can discover that work. Our aim is to facilitate meaningful connections between artists and producers and provide a significant upgrade to the only other “technology” currently available for making those connections: the submission process, which no long...

American Theatre Wing invests in brave work, supports creative growth, and celebrates excellence to bring diverse stories to our national culture through theatre. Founded in 1917 on the eve of America’s entry into World War I by seven suffragists, American Theatre Wing has spent a century using theatre to advance human experience, empathy and cultural growth like never before. We provide grants and scholarships, connect talent at all stages with educational and professional opportunities, and create content that illuminates and preserves theatre. We award excellence and foster artistry by providing a platform for strong, fearless voices in the American theatre.

The American Theatre Critics Association is the only national association of professional theater critics in the United States. Our members work for newspapers, magazines, radio, television, and on-line services across the country. Membership is open to all any writer who regularly publishes substantive pieces reviewing or otherwise critically covering theater. Since its founding in 1974, ATCA has provided opportunities for members to explore the remarkable artistic resources of our national theater and of theater around the globe.The American Theatre Critics Association is the only national association of professional theater critics in the United States. Our members work for newspapers, magazines, radio, television, and on-line services across the country. ATCA works to foster greater...

Scene nights. Table reads. Master classes. New musicals. And more. We know how to play.

The Autry brings together the stories of all peoples of the American West, connecting the past with the present to inspire our shared future.

GrantSpace is Foundation Center’s learning community for the social sector, providing easy-to-use, self-service tools and resources to help nonprofits worldwide become more viable grant applicants and build strong, sustainable organizations. It offers both in-person and online training (including many free videos) for organizations and individual grant seekers.

Cape Cod Writers Center assists published and aspiring writers of all genres, abilities, and ages to develop their writing skills and learn the business of editing, publishing and publicizing; to publicize authors and their works; to provide opportunities for writers to congregate for inspiration, education, and networking; and to introduce readers to authors and their work.

MAESTRA MUSIC, INC. was founded by composer/lyricist and music director Georgia Stitt to give support, visibility, and community to the women who make the music in the musical theater industry. Our membership is made up of female-identifying composers, music directors, orchestrators, arrangers, copyists, rehearsal pianists and other musicians who are an underrepresented minority in musical theater.

London Playwrights’ Blog was started in 2013 as a resource for emerging playwrights. We aim to bring together the latest opportunities, best resources, and good advice in one place. In 2015, the team formed London Playwrights’ Workshop Ltd as a non-profit company to help expand this support for writers through workshops, events, and expanded online resources.

LORT is the largest professional theatre association of its kind in the United States, with 75 member Theatres located in every major market in the U.S., including 29 states and the District of Columbia. LORT Theatres collectively issue more Equity contracts to actors than Broadway and commercial tours combined.

The MTF community includes writers, composers, performers, choreographers, directors, music directors, dramaturgs, designers, and producers. Musical Theatre Factory is artist focused, and a space where writers can see their work, at any stage, on its feet. MTF is accessible to emerging musical theatre makers and builds bridges for them to connect with experts in the field, across disciplines. We are dedicated to developing new work in a collaborative atmosphere free from the pressures of critical or financial success that dismantles oppressive ideologies towards collective liberation through powerful and joyful story and song.

BTC is a network of theatre practitioners who self-identify as members of the African Diaspora. We activate our collective resources to amplify, nurture and support the work of Black theaters and practitioners through advocacy, convening, networking and knowledge-sharing. Our objective is to create and implement actionable strategies that support Black theaters and Black practitioners. It’s crucial that we preserve, sustain and create places where the narrative of black people (people of African descent) can be reclaimed and reshaped. It’s also important to provide black practitioners, technicians, academicians and administrators with more job opportunities, professional development, and fluid access to a global network.

The National Hispanic Cultural Center is dedicated to the preservation, promotion, and advancement of Hispanic culture, arts, and humanities. The Center presents over 700 events and creates the opportunity for thousands more through its art museum, library, genealogy center, and educational resources. The NHCC is a division of the State of New Mexico Department of Cultural Affairs and is further supported by the National Hispanic Cultural Center Foundation, a 501(c)(3) organization.

Teatro Paraguas stages contemporary award-winning Latinx plays in English and bilingual productions of Hispanic/Latinx poetry and classic cuentos (folk-tales), while promoting children's theatre, producing the works of New Mexico playwrights, and celebrating the history, richness and diversity of New Mexico's many cultures and artistic talent.

We are artists and organizers working to preserve, sustain, and grow the cultural vibrancy of the Lower East Side neighborhood. Our commitment to sustaining the cultural character and diversity of the community extends across the LES: from 14th Street to Canal, from Bowery to the East River. FABnyc works in partnership with the community bringing artists and arts strategies to – Fight physical and cultural displacement – Build collective power and collaboration – Increase equity and access to cultural resources and public space – Support local resiliency and community health.

The New England New Play Alliance brings together the collective energy and resources of new play producers and developers in New England to: Grow audiences for new plays; Encourage more new play development and production; Spread the word outside of Boston about plays/playwrights from Greater Boston/New England.

MATCH or the Midtown Arts & Theater Center was created to provide a home for a broad spectrum of Houston’s arts. With 4 performance spaces, 3 rehearsal studios, 3000 square feet of gallery space, and offices for up to 60 arts professionals, it promises to be a creative collaboration unlike anything Houston has even seen.

Developing fresh voices for the 21st century.

MTAP--Musical Theatre Artists of Pittsburgh--brings together a group of local and regional artists working in a wide range of musical theatre expression, from solo cabaret to full-length narrative musical theatre. Through monthly meetings, the group supports the development of new work, serving as an incubator where new works of musical theatre come into being and are nurtured.

TPS has a two-fold mission: To promote the spiritual and economic necessity of theatre to the public, and to unify and strengthen the theatre community through programs, resources, and services.

Warehouse 21 supports diverse, inclusive, positive and welcoming community for young people by encouraging art, public service, mentoring, and meaningful exchange that challenges, empowers, and grows artistic and economic development.

Rain City Projects supports playwrights and their work in the Pacific Northwest. We develop projects to raise the profile of the playwright within the working theater community, and build relationships between theater artists and producers. We publish. We Grant. We ignite solidarity in the Seattle-area playwriting community with lively brunches, salons, readings, writing retreats, and speed dating between writers and directors.

The Portland Civic Theatre Guild is a volunteer based, non-profit organization that enriches the Portland theatre community by giving annual awards to students, theatre companies and individual artists while bringing audiences the highest quality, professionally staged readings Portland has to offer.

A question we get a lot is... “What is Theatre Revolution?" Typically we hem and haw and give some thoughts but let’s tackle it here. Viva la Revolution! Visit: www.theatrerevolution.org/post/what-is-theatre-revolution

San Diego Writers, Ink is a 501(c)(3) nonprofit organization. We offer classes, groups, workshops, readings and other literary events at The Ink Spot and other locations throughout San Diego County.

Nash Arts is a private, nonprofit organization, which celebrates, promotes and produces artists and arts activities, provides support to other area arts organizations and encourages and generates arts education in order to enhance the quality of life in Nash County. Our organization showcases local, regional and national artists, professional and emerging, as well as self-taught artists and craftsmen. Our goal is to reach out to all members of our community.

The Arts Center’s community theatre has been a part of the Rocky Mount community for more than 50 years. The Theatre offers a wide variety of productions, including comedies, dramas, musicals, and children’s theatre, and relies on volunteers to continue its tradition of success.

The Arts Council of Henderson County is a community organization that promotes, advocates for, and nurtures the arts in Henderson County and western North Carolina.

The Midwest Dramatists Center is a creative home, family and support for emerging playwrights to further the growth of their art and the impact of that art on the greater theater community. We accomplish this by providing the three key elements that every artists needs to succeed in bring his or her vision to the public: A home, a community, and guidance.

To add your info to the Call Board, send your photo and short bio to listings@TheatreSantaFe.org

Mission: The purpose of the Dramatists and Screenwriters of Houston shall be to further the cause of and an interest in professional quality scriptwriting and screenwriting through critiques, educational programs development workshops, seminars, and showcases of member's work.

Hexagon is a nonprofit organization composed of people whose purpose is to create and stage an original, political, satirical, musical comedy revue each year, both to have fun entertaining and to raise money for local charities. While there are several (even numerous) groups that purport to present political satire, Hexagon is unique in several respects: Hexagon is all original. Each year every song and skit is completely new. At Hexagon, you won’t hear hackneyed tunes recycled with new words. Hexagon is non profit. We donate to charity, not to our own wallets. Hexagon is all volunteer. There are no salary expenses to diminish the proceeds we can donate to charity. Hexagon is membership. Hexagon is not a “one-man show.” Members make up the cast, crew orchestra, front of house, writer...

Mission: The South Dallas Cultural Center provides programs in the performing, literary, and visual arts with an emphasis on the African contribution to world culture. We facilitate enriching and dynamic opportunities for the Dallas community to experience, examine, and celebrate black creative culture.

The Eubie Blake National Jazz Institute and Cultural Center brings artists and audiences from diverse backgrounds together. We support, develop, promote and advocate for cultural and educational programming in the visual and performing arts.

With a focus on racial equity, we fund, support, and advocate for culture to enhance the quality of life in King County.

The mission of A Touch of Light is to work with Captive Artists™ from around the world, using the Arts to create social change and Second Chances for families of the incarcerated, and for prisoners being released with little or no support.

Bainbridge Performing Arts promotes appreciation of and participation in the performing arts to build, educate and inspire our vibrant, creative community.

The Bellingham Theatre Guild is a nonprofit volunteer organization that has been producing theatre in Whatcom County, Washington, since 1929, including more than 700 productions with over 7,000 performances.

Blue Cone Studios is a coalition of independent artists dedicated to seeking out, collaborating with, supporting and promoting local bipoc, queer, and neurodivergent artists. Our ongoing mission since 2015 has been the upliftment of Seattle’s creative community through direct investment in and engagement with emerging artists from typically marginalized communities. Our primary objective is to provide affordable space and creative programming to artists of all backgrounds and education giving those with experience the opportunity to inspire and mentor those who are discovering and honing their talents. We envision a strong local arts ecosystem that lifts from the bottom to amplify and empower creative communities in Seattle. By telling their stories, providing space for them to tell their...

Gay City: Seattle’s LGBTQ Center cultivates access and connections to promote self-determination, liberation and joy in our communities.

Hugo House is a place to read words, hear words, and make your own words better.

Jack Straw Cultural Center exists to foster the communication of arts, ideas, and information to diverse audiences through audio media. We provide creation and production opportunities in audio media, including radio, theater, film, video, music, and literature.

La Sala is a collective formed to coalesce and mobilize the growing Latino/Latina arts community of the Seattle/Bellevue and surrounding districts.

LANGSTON is a 501(c)(3) non-profit arts organization, established in 2016 to lead programming within the historic Langston Hughes Performing Arts Institute. LANGSTON guides generative programs and community partnerships that center Black art, artists and audiences and honor the ongoing legacy of Seattle’s Black Central Area. We support a variety of enriching programs, across multiple disciplines, rooted in our mission and values. LANGSTON was conceived and designed by community members to serve as strong stewardship for this African American arts and cultural hub in Seattle. This reflects community recommendations from a three-year stakeholder engagement process led by the Seattle Office of Arts & Culture. Our Mission Our mission is to strengthen and advance our community through Bla...

The Village Playwrights was founded in 1985 as a group where Lesbian and Gay playwrights could develop plays in a free and welcoming environment.

Our mission is to advance the field of Asian American theater through a national network of organizations and artists. We collaborate to inspire learning and sharing of knowledge, and resources to promote a healthy, sustainable artistic ecology.

Murmur exists to support and exhibit DIY and ephemeral media that serves as a provocation in contemporary art and culture. We do this via residencies, providing our project space at 100 Broad St In Atlanta, and material/organizational support for artists.

The Asian American Arts Alliance is a nonprofit organization dedicated to ensuring greater representation, equity, and opportunities for Asian American artists and cultural organizations through resource sharing, promotion, and community building.

EMERGENCY ASSISTANCE Musicians who have made a living playing blues, jazz and roots music know they can call our office at any time or walk through our doors for help in solving an emergency. We average 30 individual musician emergency cases a day and approximately 9,000 assists every year. We prevent homelessness with housing assistance, keep artists healthy with pro bono medical care and provide financial support that keeps the lights on and food on the table. CREATING WORK OPPORTUNITIES All any musician ever wants is that next gig. We create dignified paid work opportunities for artists to perform with free concerts at schools, hospitals, and nursing homes. Each year we produce almost 1,000 concerts in 17 states and reach more than 80,000 listeners from children in public schools to se...

The mission of the Episcopal Actors' Guild is to provide emergency aid and support to professional performers of all faiths who are undergoing financial crisis. We are also dedicated to helping emerging artists advance their careers through scholarships, awards, and performance opportunities.

CPI's mission is to help local playwrights improve their work and ultimately have it published and/or produced on stage.

DG Online Events lists every online gathering organized by Dramatists Guild Regional Reps or Ambassadors.

The Authors Guild is the nation’s oldest and largest professional organization of writers. Since our founding, we have served as the collective voice of American authors, and have long supported the rich and diverse literary culture of our country.Our members include novelists in all genres and categories, nonfiction writers, journalists, historians, and poets. The Guild welcomes traditionally published authors as well as self-published, independent authors. We are a guild in the traditional sense of the term—a group of artisans who have come together to create an association of authority and influence. We give authors—who belong to an often lonely profession—a sense of community and belonging, with opportunities for sharing, networking, and conviviality. The Guild defends and promotes t...

Provide sustained support for arts and culture by enhancing and expanding resources. Foster cultural equity and arts participation for all. Create a prosperous environment for artists and arts and cultural organizations. Support development of a vibrant city by raising awareness and enhancing visibility of the arts.

Ohio Playwrights Circle (OPC) exists to provide encouragement, opportunity, and education for Ohio Playwrights. It is also the hope of this project to provide opportunities for actors and directors to practice their craft and experience the challenges of creating new work. We will always strive to create an atmosphere of respect, fun and congeniality in all of our activities. Key Program Components are: • New Play Reading Series • Classes in Playwrighting • OPC Round-Table • The WorkshopOPC is a project of the American ArtWorks Foundation, a 501 (c) (3) not for profit corporation. OPC is hosted in Dayton by the Human Race Theatre Company & The Dayton Theatre Guild. Michael London is the Director of the OPC.

Literary Cleveland is committed to helping writers and readers explore other voices and discover their own—creating a vital, diverse and supportive literary community in the process.

Directors Gathering (DG) is a Philadelphia-based service organization that through the power of community provides education, connections, and process-based opportunities for theatre directors.

MVT is a community outreach project of The Very Little Theatre (VLT). MVT is designed to offer an opportunity for members of minority or marginalized communities to participate in staged readings of plays as actors, writers, directors, designers, and/or audience members.

Sips & Scripts is a service platform that supports, promotes, and produces work written by North Carolina playwrights from novices to veterans through public and private staged readings and full productions along with additional opportunities that will advance the work of the playwright.

The Sarasota Area Playwrights Society aims to provide opportunities for local playwrights to have their plays read, discussed, critiqued and, thereby, improved.

Supporting the contributions of arts, culture, history, heritage and humanities to the greater Baltimore region for over 17 years.

The Baltimore Theater Roundtable is a new monthly community discussion, inviting theater folx from Baltimore and surrounding areas to the table to voice their thoughts about issues important to the past, present, and future of our beloved theater community.

The Off-Broadway Alliance is an organization of Off-Broadway producers, general managers, venue owners, press agents and marketing personnel dedicated to promoting and supporting Off-Broadway theater, encouraging and assisting new producers, and making live theater increasingly accessible to new and diverse audiences. The Alliance holds monthly meetings and membership is open to everyone in the Off-Broadway theater community.

Almasi is a Zimbabwean American Dramatic Arts Collaborative Organization. Our vision is to professionalize the Dramatic Arts industry in Zimbabwe through education, facilitation, and collaboration with professional American Dramatic Artists and Artistic Institutions.

Youth Theatre Northwest nurtures the intellectual, artistic, and personal development of children and youth through drama education, performing opportunities, and live theatre experiences.

For over 30 years, AMERINDA has been the only community-based organization specifically advocating for the inclusion of the indigenous perspective in the arts and cultural equity in public policy in New York City.

The Coalition of Theatres of Color (CTC) was first convened in 2004 by the late Ossie Davis and Ruby Dee to address the inequity of funding to chronically underfunded theaters of color. Today CTC exists as a historic assemblage of several of New York’s oldest, ethnically specific, multicultural theaters. CTC membership is comprised of institutions, each thirty years old or more. Together, CTC seeks to sustain the legacy of our institutions while producing, supporting, collaborating and presenting productions and events that tell our stories, our way, with pride and dignity.

Black Theatre Matters is a program of Plowshares Theatre Company. Black Theatre Matters covers trending topics in the theatre featuring experts across art form. It is designed to be a liberal arts resource dedicated to supporting, documenting and celebrating the achievements of Black theatre artists throughout the United States, Canada and the United Kingdom.

Our Mission is to provide a comfortable and safe haven for writers of all ages and skill levels to workshop their scripts with the assistance of peers and actors.

Building the capacity of advocates, students, artists, organizations and communities to use the arts as an integral part of their social change work. We believe that placing Artistry at the center of solving today’s most pressing issues will create a new type of dialogue and impact.

The mission of the Bill Nunn Theatre Outreach Project (BNTOP), founded by the late film and stage actor Bill Nunn, is to create a platform for underserved public school students in the Pittsburgh region to gain access to theatre arts and work with seasoned professionals within the field.

Honor Roll! is an advocacy and action group of women+ playwrights over 40 as well as our women+ over 40 allies. The term “women+” refers to a spectrum of gender identification that includes women, non-binary identifiers and trans. Honor Roll! was ignited by our shared recognition of the pervasive yet seldom acknowledged bias against women+ playwrights over 40. Our members have in common the lived experience of being overlooked when we were younger, due to sexism only to find ourselves now being passed over, due to ageism, or in other cases, of starting our playwriting journeys later in life because of the inherent disincentives and social responsibilities that often fall to women+. We also recognize the intersectionality of ageism and that it is an additional burden for women+ of color,...

Ring of Keys is an arts advocacy organization that promotes the hiring of musical theatre professionals - onstage and off - who self-identify as queer women, transgender, and gender non-conforming artists. The only network of its kind, our membership is made up of actors, directors, dancers, singers, stage managers, lighting designers, dramaturgs, artistic directors, producers, casting directors, librettists, lyricists, composers, props designers, scenic designers, sound designers, choreographers, costume designers, and production managers who self-identify as lesbian, bisexual, trans, queer, femme, masc, non-binary, and the diversity of genders that queerness contains. We represent 350+ members in 40 U.S. cities, Toronto, and London. We strive to kick (ball-change) the closet door open t...

Founded by playwright Darrel Alejandro Holnes, the Greater Good Commission offers $500 mini grants to Latinx playwrights to write short plays, innovative in form, that reflect the times. The commission’s second round will focus on LGBTQIA+ Latinx- identifying playwrights. The year’s commissioned plays will be presented at the second annual Greater Good Theater Festival produced by the Latinx Playwrights Circle (LPC) and Pregones Theater/PRTT. The festival will be streamed online in the fall and the plays will later live in digital archives.

We are a community of artistic directors, commercial producers, general managers, arts administrators, casting directors and other theater industry professionals who want to gather with other talented and passionate theater people kicks and giggles, and for some really impressive networking opportunities. We’re story tellers who are looking for a different type of story, and different types of people who write them.

As an alliance, we stand united upon a platform of disclosure, informed consent, and centering safe practices within our artistry. By promoting this platform in all that we do, we model best practices and permeate our industry with expectations for excellence in interpersonal interactions as well as artistry.

The theater community has long whispered about, laughed about and written about harassment in its ranks with tales of the casting couch and out of control stars. It is past time we stopped encouraging or ignoring abusive behavior and publicly recognize the existence of sexual discrimination and harassment, and gender-based violence within our community. It is time to take positive steps to end it.

The Colorado Theatre Guild (CTG) encourages growth and excellence in live theatre in Colorado by creating connections within the theatre community and providing supporting programs and services in education, advocacy and promotion to patrons, producers and artists.

If you’re a theatermaker or theatergoer who’s ready for change, you can help us take positive action on many levels. Because we’re also all about connecting female-identifying playwrights in LA to other women theater artists and femme-friendly organizations.

The LCC is available for rent to nonprofit organizations that share the Center’s mission of promoting Latino art and culture. The Center includes a 300 seat theater, a gallery, sculpture courtyards, a multipurpose room and a plaza for outdoor events. The LCC opened September 16, 2003 and was designed by Ricardo and Victor Legorreta.

The mission of the Fort Worth Community Arts Center is to provide a quality event, visual, and performing arts venue for all of the community.

As a gathering place for the community and its visitors and as the home of the Maryville College fine and performing arts program, the Clayton Center for the Arts provides opportunities for the lifelong expression and appreciation of the arts.

The Cary Playwrights’ Forum’s mission is to provide NC playwrights and aspiring playwrights opportunities to develop as dramatic writers.

Derby City Playwrights is a collective of Louisville writers dedicated to the development of locally grown plays. Creating new and insightful work from within our community, Derby City Playwrights will build a home for new play development and production in Louisville.

The South Florida Theatre League is an alliance of theatrical organizations and professionals dedicated to nurturing, promoting, and advocating growth and prestige of the South Florida theatre industry.

The mission of the Arts Center of the Capital Region is to engage the community in the creative experience, through sharing, experiencing, and creating art in all its forms.

Greenwich House programs are a valuable resource to our neighbors and those who work in, visit or seek care in Greenwich Village and across the city. Children are welcome in Greenwich House Youth Community Center or Barrow Street Nursery School. Artists of all ages take classes at Greenwich House Music School and Greenwich House Pottery, or enjoy concerts and cultural events hosted by these schools. Seniors find community, social activities and case management at our four senior centers, and mental health services through the Senior Health and Consultation Center. Health services are provided through the Children’s Safety Project, Chemical Dependency Program and Methadone Maintenance Treatment Program. No matter what program, each individual at Greenwich House ensures that everyone receive...

This group is intended to bring together theatre folk during a time when most of us are shuttered to our homes. Every Thursday night, we'll do a new reading with people in their pajamas. The plays will be new and unproduced. We can keep theatre going, no matter what.

Miami’s architectural gem centrally located in the Cultural Corridor and designed by Argentinian architect César Pelli, the Adrienne Arsht Center for the Performing Arts of Miami-Dade County has just the right spaces to rent for any occasion. The Ziff Ballet Opera House and Knight Concert Hall feature large, fully-equipped stages with comprehensive sound and lighting capability accommodating audiences of up to 2,400 people, perfect for large business conferences, conventions, performances, fundraisers, and, of course, weddings. For smaller affairs, there are stylish rooms at the Adrienne Arsht Center ideal for parties and receptions ranging from 50-2,400 guests. Each customized event is handled by experienced on-site event managers working with the in-house catering and audio-visual tea...

LaGuardia Performing Arts Center, the largest theatre complex in Western Queens, has played a key role as a cultural bridge between artists and audiences for nearly 40 years. Dedicated to amplifying the voices of emerging storytellers from all over the world, LPAC produces vital, high-quality and culturally relevant theatre, dance, music and educational programming for New York City audiences and beyond.

Clutch is a nonprofit 501(c)(3) organization dedicated to creating opportunities for female artists in theatre and film. By commissioning and producing original works, Clutch provides vital creative space for female writers, directors, actors, and designers to collaborate and work together. Clutch welcomes the voices and work of writers, actors, directors, designers, technicians, producers, and artists who identify as female. All ages. All colors. All races. All faiths. All abilities. All sexual orientations. You are #SoClutch.

At the Indiana Writers Center (IWC), we believe everyone has a unique story to tell; and our goal is simple: to help you tell it. For more than 40 years we have worked to foster a vibrant writing community in Indiana, providing education and enrichment opportunities for both beginning and accomplished writers. Located in the Circle City Industrial Complex just around the corner from the shops, restaurants, and theaters on Massachusetts Ave, we offer a variety of classes and workshops led by some of Indiana’s best writers. In addition, we host literary events such as readings, open mics, critique groups, and the annual Gathering of Writers to instruct, inspire, and connect writers throughout the state. The IWC also provides community outreach programs in schools, community organizations,...

The purpose of the Indiana Playwrights Circle (IPC) is to encourage and develop playwrights, and to promote script writing, audience development, and related arts. At the Indiana Playwrights Circle, we have four primary activities: 1. Weekly cold readings of new pages – about 20 minutes per playwright. We invite actors and do cold readings. Critique follows the read. 2. Monthly table reads of full-length works in draft form. We cast actors and try to get actors who represent the demographic (age, gender, race, etc) desired by the playwright. The actors get the script in advance; some prepare. Critique follows. 3. Bi-monthly large group meeting on a topic of interest to playwrights. NOTE: All above activities are currently on Zoom. We are not sure about 2022. 4. Annual production of a...

The Crowbait Club meets the first Wednesday of every month at 7:30pm at Portland Ballet Studio Theater in Portland, Maine. Open to playwrights and actors who would like to explore new work in an informal process.

Mission: To create an environment that promotes artistic and cultural experiences and provides superior educational, instructional and entertainment opportunities that elevate and enrich the community for all residents of Kershaw County and beyond.

As long as there is a financial need, our lifetime membership will allow you to see anyone in our network for the rates listed above. This is our guarantee. A lifetime membership only costs $59. In partnership with licensed mental health clinicians in private practice throughout the fifty states, Open Path Psychotherapy Collective provides middle and lower-income level individuals, couples, families, and children with access to affordable psychotherapy and mental health education services.

For so many intersectional communities including Latinx, Black, and those who are marginalized there are so many barriers to finding a mental health professional the most common are financial, lack of insurance coverage, language, transportation, and of course we have a huge lack of representation which can often lead to further trauma, dealing with racial micro aggressions, discrimination, and xenophonia. We believe that access to mental health is a human right. We dream of a future where therapy is normalized, more accessible and includes our various cultures. We will always stand behind movements that further these values. We are so proud of you for starting this journey, you will be an ancestor one day and just like trauma can be passed down so can resilience.

Our mission is to advance the woman artist through knowledge building, exposure, and support. We serve self-identifying women artists across three artistic sectors: Visual Arts, Performing Arts, and Literature . We invite female allies - non-artists, and males - to lend their support by joining our organization both as donors and members.

Creative Lab Hawaii, founded in 2012 by the Hawaii State Department of Business, Economic Development, and Tourism’s Creative Industries Division (CID), is a key facet of DBEDT’s HI Growth Initiative, is developing an ecosystem to increase export, attract investment and build the state’s creative entrepreneurial capacity.

The Playwrights Immersive is a yearlong program for playwrights working on a two-act theatrical narrative play or musical. The yearlong program includes a five-day, boot camp-style program, followed by a one-year coaching program that supports fellows in executing their material as individuals, and as a group. The Playwrights Immersive is designed to empower playwrights to take their craft and projects to the next level via one-on-one and small group coaching.

A track for writers in all genres to develop new content for motion pictures, and television. Participants receive coaching on script writing and taking projects to market. Writers Guild of America West logo. The Writers Immersive is a five-day program for writers in motion pictures, and television. The yearlong program includes five days of intensive work in Hawaii, followed with a one-year coaching program that supports participants in executing their material as individuals, and as a group. In partnership with the Diversity Program of the Writers Guild of America West, the Writers Immersive is designed to empower writers to take their stories and craft to the next level via one-on-one and small group coaching.

A track for producers in all genres to develop new content for motion pictures, and television. Participants receive coaching in developing their script, financing their script, distributing and marketing. The Producers Immersive is a five-day program for producers in motion pictures, and television. The yearlong program includes five days of intensive work in Hawaii, followed with a one-year coaching program that supports participants in executing their material as individuals, and as a group. In partnership with the Producers Guild of America, the Producers Immersive is designed to empower producers to take their projects to the next level via one-on-one and small group coaching.

A track for writer/producers, director/producers, and producers who are creating content for the web. Participants receive coaching in developing their material, financing their script, distributing and marketing. The Web-Series Producers Immersive is a yearlong program that includes five days of intensive work in Hawaii, followed by a one-year coaching program that supports participants in executing their business plans/material as individuals, and as a group.

CLH Music Immersive is a five-day intensive program focuses on providing participants with the opportunity to co-write and produce music for specific film or TV projects with a team of professional mentors. Following the completion of the program, attendees will receive year-round mentoring support, and three of the most promising attendees will be selected by the mentors to participate in networking opportunities with music industry leaders in Los Angeles. In addition to composing songs, participants will learn the finer points of music licensing, publishing, intellectual property (IP) protection, and other aspects of the business from industry experts.

A track for writers in animation to develop new content for motion pictures, television, or web. Participants receive coaching on script writing and taking projects to market. The Animation Immersive is a five-day program for writers in motion pictures, television and web. The yearlong program includes five days of intensive work in Hawaii, followed with a one-year coaching program that supports participants in executing their material as individuals, and as a group. In partnership with the Diversity Program of the Writers Guild of America West, the Writers Immersive is designed to empower writers to take their stories and craft to the next level via one-on-one and small group coaching.

A track for creators, writer/producers, director/producers, and producers who are creating content in the mobile game app space. Participants receive coaching in developing their material, distributing and marketing – taking it from concept to demo. Our program leans toward self-publishing. The Mobile Game App Producers Immersive is a yearlong program that includes 5-days of intensive work in Hawaii, followed by a one-year coaching program that supports participants in executing their business plans/material as individuals, and as a group.

The Crowbait Club is a Maine non-profit Corporation and 501(c)(3) tax-exempt organization, The purpose of The Crowbait Club is to inspire, nurture, educate, and empower artists and audiences, thereby enriching and celebrating the Maine arts community and the culture of the community at-large. The Crowbait Club is a performance and production company with a commitment to developing original theater artists and craftspeople and to provide a no barrier, very low cost gateway into the performing arts for those interested in trying it. We serve the community at large.

In response to various forms of racism in society and to the critical purpose of Black Lives Matter, the ICWP 2020 Call for Proposals is a part of our initiative to create more equity and access in theatre with an eye on inclusion of BIPOC playwrights within the United States as well as globally. Our purpose: To make funds available to the ICWP members to advance their playwriting experiences and career.

An online fundraiser for the Actors Fund presenting 20 new works performed by all-star casts. Stay tuned to join us in November of 2020 & support the entertainment community.

Mission: SquareWrights is a group of artists working collaboratively to bring our original pieces of Theatre Art to our communities and beyond. Since its inception in 2003, the Stratford-based SquareWrights Playwright Group has had more than 100 productions and staged readings including short-play festivals, the 24-hour Fast Forward Theatre Festival and fundraisers for Katrina and Tsunami victims, the Stratford Library and the historical Perry House. The group has been represented multiple times at the Stratford Summer Arts Festival on the grounds of the Shakespeare Theatre. In addition, we’ve collaborated with the Stratford Arts Commission, The Temple Players, the Stratford Arts Guild, Eastbound Theatre of Milford, New Plays at Blackstone in Branford, Two Roads Brewery and Bridgeport’s P...

To build international and cross-cultural collaborations through music theatre performance that cultivate, connect, and empower artists across borders.

Since 2005, each December, the Black List releases its annual list, a survey of the most liked unproduced screenplays of that year. The annual lists are aggregated using votes from film executives working in the film industry. The annual lists have included such Oscar winning films as JUNO, THE KING'S SPEECH and ARGO. At its heart the annual Black Lists are meant to shine a light on extraordinary screenwriting, some of which may have been overlooked more broadly.

Mission: To promote and support professional theatre in the Tampa Bay Area.

Creative Loafing is Atlanta's alternative news and entertainment publication of record. Since 1972, we have provided the best in news, art, music, movies and nightlife, both in print and on our website, www.creativeloafing.com. We are Atlanta’s leading source of information on where to go, what to do, and why.

Texas Thespians is one of the largest chapters in the nation of the Educational Theatre Association which sponsors the International Thespian Society. As an educational honor society, we are dedicated to honoring excellence in theater by encouraging and improving the skills of theatre students and their educators throughout the state of Texas.

Solas Nua, ‘new light’ in Irish, is the only organization in the United States dedicated exclusively to contemporary Irish arts. Based in Washington, D.C., our mission is to bring the best new Irish artistic talent to American audiences.

MISSION: A collaboration of African-American playwrights whose mission is to produce quality and excellent theater works in our communities and abroad. VISION: We endeavor to SUPPORT one another, ENCOURAGE each other, and EQUIP one another with resources and tools to "raise the bar" and to be recognized as a major contributing factor in our cities, communities, and nation.

The mission of the Vero Beach Theatre Guild is to enrich, entertain and educate our community through exceptional theatrical arts.

Our Mission We are a collective of empowered theater artists centering stories that challenge the dominant cultural paradigm through a highly collaborative, unique play development process. PIC artists (actor-dramaturgs, directors, stage managers, designers, and more) work with the incoming writer(s) to identify the most beneficial next steps in the development of their piece: a customized approach tailored to their specific needs. We are dedicated to building long-term collaborative relationships with all artists we work with, providing a safe space to experiment with new ideas and concepts on an ongoing basis. Our Values Prioritizing scripts centering the voices of diverse identities- including but not limited to race, gender identity, sexual orientation, and age Mirroring that dive...

Our mission is to foster and This Spring, National Queer Theater and the Dramatists Guild are launching the New Visions Fellowship, an innovative new program for Black trans and gender nonconforming playwrights. The New Visions Fellowship will select two playwrights for a rigorous year-long professional development initiative aimed at celebrating the brilliance of and uplifting Black TGNC writers in the face of the systemic exclusion that Black TGNC writers have endured within American theater. ​We believe the New Visions Fellowship is essential because of its opportunity to create space for the Black and queer imagination, a perspective long and consistently forced to take a backseat to “safer” LGBT stories in American culture, and even American queer culture. The curriculum of tradi...

Live theatre in Geneva dates back to the end of the Nineteenth Century at the Smith Opera House in downtown Geneva. Early records show a production by “Geneva Amateurs” of The Pirates of Penzance on April 4, 1896. The Geneva Players presented productions at various schools and in the barn at Seneca Lake Country Club for a number of years. For seven years, The Geneva Summer Theatre presented plays with a professional company and community actors at the Bartlett Theatre on the Hobart and William Smith Colleges campus. In 1998, the Guild initiated a program that gives area playwrights the opportunity to have their plays performed in a staged-readers theatre format. Area writers are invited to submit scripts, which are considered by a committee of Guild members. Three or more plays are select...

We are the 15th Street Meeting of The Religious Society of Friends, a prominent Quaker meeting in Manhattan, NYC. We have a large and beautiful landmark meetinghouse, as well as a courtyard, at our disposal for a production.

The Women in the Arts & Media Coalition combines our member organizations' abilities and strengths, focusing on issues of concern to women in the arts and media. We are committed to being the link between our member organizations as we collaborate to empower women in our industry through advocacy, mentoring, networking, and events.

Port City Playwrights' Project is a community of playwrights and screenwriters in the greater Wilmington area. In addition to bi-monthly meetings where we read and provide feedback to each other’s work, Port City Playwrights’ Project showcases members’ new writing throughout the year by mounting script-in-hand staged readings as well as fully staged productions.

Our mission is to foster and sustain a vibrant, inclusive, and collaborative arts community across Pinellas County. We provide support, connection, and opportunities to artists, organizations, and the public in order to grow and sustain the area as an internationally recognized arts and cultural destination. This is the mission – does this type of work align with your values? Take a look at the opportunities that Creative Pinellas is looking for at the moment.

Founded in 1971, Japanese American Cultural & Community Center is one of the largest ethnic arts and cultural centers of its kind in the United States. A hub for Japanese and Japanese American arts and culture and a community gathering place for the diverse voices it inspires—Japanese American Cultural & Community Center connects traditional and contemporary; community participants and creative professionals; Southern California and the world beyond.

Future of Music Coalition (FMC) is a Washington D.C.-based nonprofit organization supporting a musical ecosystem where artists flourish and are compensated fairly and transparently for their work.

SESAC currently licenses the public performances of more than 1 million songs on behalf of its 30,000 affiliated songwriters, composers and music publishers, which include such familiar names as Bob Dylan, Neil Diamond, RUSH, Disclosure (PRS), Zac Brown, Mumford & Sons (PRS), Hillary Scott of Lady Antebellum, The Avett Brothers, Shirley Caesar, Paul Shaffer and Thompson Square. SESAC has long represented the music on some of TV’s biggest shows including Grey’s Anatomy, How I Met Your Mother, Parenthood, Dateline NBC, Dr. Phil, Seinfeld, and The Doctors among many others and is the PRO of choice among many of Hollywood's most sought-after film and television composers including Christophe Beck, Danny Lux, Jon Ehrlich, Dennis C. Brown, Bruce Miller and Paul Shaffer among many others.

The Copyright Society of the USA, a non-profit organization established in 1953, is devoted to copyright law awareness and education. With more than 1,000 members nationwide and regional chapters in over a dozen major U.S. cities, CSUSA's mission is to promote and advance the study and understanding of copyright law and its role in fostering creativity and the arts, copyright industries, and the use and distribution of copyrighted materials through traditional and new media.

Creative Commons is a nonprofit organization that helps overcome legal obstacles to the sharing of knowledge and creativity to address the world’s pressing challenges.

Public Knowledge is fighting for a balanced copyright system.

The Association of American Publishers (AAP) represents the leading book, journal, and education publishers in the United States on matters of law and policy, advocating for outcomes that incentivize the publication of creative expression, professional content, and learning solutions. As essential participants in local markets and the global economy, our members invest in and inspire the exchange of ideas, transforming the world we live in one word at a time.

The public domain is the realm of material—ideas, images, sounds, discoveries, facts, texts—that is unprotected by intellectual property rights and free for all to use or build upon. Our economy, culture and technology depend on a delicate balance between that which is, and is not, protected by exclusive intellectual property rights. Both the incentives provided by intellectual property and the freedom provided by the public domain are crucial to the balance. But most contemporary attention has gone to the realm of the protected. The Center for the Study of the Public Domain at Duke Law School is the first university center in the world devoted to the other side of the picture. Founded in September of 2002, as part of the school's wider intellectual property program, its mission is to pr...

It is impossible to honor professional cores values of librarians—first amendment, equity of access, and inclusion—without copyright law. Without it, libraries would be unable to loan books, preserve content, and exercise fair use. Libraries have a privileged position in the law with individual exceptions that apply only to non-profit libraries and archives. Congress recognized that libraries are sites of learning, where protected content will be continually available, distributed, used, and preserved to further knowledge, fostering the Constitutional purpose of the law “to advance the progress of science and the useful arts” to benefit the public. Copyright policy favoring rights holders over users of information can limit access, free speech, research, and scholarship. Because of advanc...

Welcome to Copyright Policy Institute (“CPi”). We are a Washington D.C. based non-profit Copyright Think Tank. We are a non-partisan 501 (c) 3 organization and we track, report and advocate on the following issues impacting copyright law and internet culture: Copyright laws, rules, regulations and proposed legislation (particularly in the area of fair use law) International treaties impacting United States Copyright law Laws and rules that deal with p2p file sharing and torrenting Digital Millenium Copyright ACT (“DMCA”) rules and amendments Digital Rights Management Virtual Private Networks Happenings in the United States Copyright Office Amicus briefs in key cases involving important legal issues Public education on copyright laws and implications Issues affecting artists and creators...

The Internet Archive, a 501(c)(3) non-profit, is building a digital library of Internet sites and other cultural artifacts in digital form. Like a paper library, we provide free access to researchers, historians, scholars, the print disabled, and the general public. Our mission is to provide Universal Access to All Knowledge. We began in 1996 by archiving the Internet itself, a medium that was just beginning to grow in use. Like newspapers, the content published on the web was ephemeral - but unlike newspapers, no one was saving it. Today we have 20+ years of web history accessible through the Wayback Machine and we work with 625+ library and other partners through our Archive-It program to identify important web pages.

Forum on the Entertainment & Sports Industries We foster excellence in our industries through education, networking, and camaraderie with industry leaders and colleagues.

We are the American Federation of Musicians of the United States and Canada, professional musicians united through our Locals so that: We can live and work in dignity; Our work will be fulfilling and compensated fairly; We will have a meaningful voice in decisions that affect us; We will have the opportunity to develop our talents and skills; Our collective voice and power will be realized in a democratic and progressive union; We can oppose the forces of exploitation through our union solidarity.

Since its inception, the William Inge Theatre Festival, has brought to Independence, Kansas, some of the world’s most prestigious playwrights. Arthur Miller, Wendy Wasserstein, August Wilson, Neil Simon, Paula Vogel, and Stephen Sondheim are some of those who have traveled to Independence to accept the Festival’s Distinguished Achievement in American Theatre Award. The Inge Festival honors also bestows the Otis Guernsey New Voices in Playwriting award, which recognizes a peer-nominated emerging playwright, the Margaret Goheen Award, for outstanding contributions to theater in Independence and surrounding area (named after the founder of the Festival), and the Jerome Lawrence Award for contributions to the Inge Festival and the national theatre by a non-playwright.

It is the mission of the Asian Mental Health Collective to normalize and de-stigmatize mental health within the Asian community.

Dutchess County Pride Center is a safe space for LGBTQ+ individuals and their families, including youth to meet and socialize. Our goal is to improve the health, safety and well-being of the entire LGBTQ+ community in Dutchess County.

The mission of the Theater Project is to bring quality theatrical productions to Schohaire County and environs by engaging the community in all aspects of the theater arts. We accomplish this by developing and implementing an annual program of productions which might include musicals, dramas, comedies, classics, children's theater and plays by local playwrights. Engagement of the community is achieved by offering to all residents of the area opportunities for participation in all aspects of production.

It is the mission of ShirleyArts! to support and promote the visual and performing arts for education and entertainment. We are a 501(c) 3 non-profit organization that has been serving North Central Massachusetts since 2004.

We seek to carve a presence in Boston’s thriving culture through the following: Meetings for Members and Allies Community Gatherings and Social Events Panels and Discussions, primarily by and for our community Staged Readings, of plays by/for/about our community Open Mic Nights and Cabarets, to showcase the talents of our community

Dragonfly Multicultural Arts Center is dedicated to celebrating diversity through arts education, dramatic performances, and creation of new works. Dragonfly is committed to reaching all the diverse communities of Central New Jersey with classes for all ages and backgrounds; performances that enlighten, entertain, and educate; and opportunities for development of new works.

We are Phoenix’s center stage, engaging the community through diverse arts experiences that ignite emotion, stimulate conversation, and inspire connections with the arts. The Herberger Theater Center was conceived as a pivotal piece in the redevelopment and revitalization of downtown Phoenix. Built in 1989 to support and foster the growth of performing arts in Phoenix as a performance venue and arts incubator, the Herberger Theater Center has contributed to the cultural and educational development of the Valley. Each year, approximately 160,000 patrons, including 30,000 school-aged children share the unique experience of live performing arts.

The Jamaica Center for Arts & Learning (JCAL), founded in 1972, is a multidisciplinary arts center based in the diverse community of Southeast Queens. It devoted its mission to offer quality visual, performing, and literary arts, and to provide accessible education programs to encourage participation in the arts.

The Aronoff Center is a large performing arts center in downtown Cincinnati, Ohio. Events that can typically be found at the Aronoff Center include: plays, ballet, popular music concerts, stand-up comedy shows, and musicals.

We are an independent, nonprofit advocacy group created to identify, unite and promote arts, culture, and heritage throughout Rutherford County, Tennessee. Founded as a 501(c)(3) in late 2018, our mission is to: Advocate for all aspects of our cultural community Promote Rutherford County as a cultural and heritage community and destination Communicate the social and economic impact of the arts Create opportunities for networking, collaboration, education, and economic success Define current arts gaps and create a united front to address these gaps As our tagline states, our purpose is “connecting creatives and community.” We advocate a cooperative, not competitive, approach. Partnering with existing arts organizations, individuals, and other groups—representing government, education,...

MUSE’s mission is to cultivate more racial equity in theatrical music departments by providing access, internships, mentorships, and support to historically marginalized people of color. MUSE aims to challenge systemic acts of exclusion and support musicians as we transition to a more diverse and inclusive environment for all.

The program will distribute cash grants of $1,000 to artists with a disability, who have experienced financial hardship due to the COVID-19 crisis to cover art related expenses. The grant will be open to visual, media, music, performing, literary, and multidisciplinary artists who live in New York State. After reviewing for completeness and eligibility, qualifying applicants will be selected for funding via a lottery process.

Art in the Public Eye’s mission is to support the intersection of the arts & entertainment and educational pillars of our community. APE strives to help each build and grow in partnership through: Relevant arts and educational programs that are either free or affordable to participate in and to attend Listening to what’s needed from the community and working to develop artistic and educational programs to meet those needs Providing support for individuals and small groups looking to advance ideas Collaborating with other organizations to create an attractive place to live, play and work.

Showcase for community art. And there's plenty in Manhattan! Live theatre, live music, galleries, children's activities, classes for all ages.

Romemu is a welcoming, experiential, irreverently pious, intergenerational Jewish community that elevates and transforms individuals and communities into more compassionate human beings. Committed to powerful prayer and transformative spiritual practices, Romemu attempts to engage the heart, mind and body in everything we do, helping us to foster greater levels of compassion. We believe that Judaism offers spiritual seekers and skeptics alike a path that celebrates our wholeness and provides practical, grounded ways to heal our brokenness. We are committed to helping to birth a post-denominational Judaism that transcends ideologies and labels, that is joy-based and contemplative, ecstatic and reverential, connected to our tradition, yet open to truth, wherever it is found.

Spokane Playwrights’ Salon (SPS) is a monthly gathering of regional writers interested in the craft of playwriting. Through participation and conversation, we offer each other mentorship, informal readings and discussion. Our goal is to advance our craft and our work through networking and educational opportunities, as well as by supporting venues that promote and produce original plays.

We are a community of artists, art lovers, music makers, and creators. The Center for the Arts is well known for hosting national music concerts, but we also feature film screenings, a community theater program (Center Players) and showcase artwork by regional, national, and international visual artists in the art gallery. The Center also hosts classes, workshops and programs throughout the year, and adds to the economic vitality of Central New York.

Crossroads provides essential prevention and intervention programs for Anglo ​teens and young adults in Israel in order to reach their potential and thrive.

We are an organisation of professional North American actors who are each affiliated with at least one industry union and are legally eligible for work in the UK as well as in the US or Canada. We are an invaluable resource to casting directors on both sides of the pond, and act as a central hub of activity for our members by organizing regular industry and social events tailored to North American Actors.

Bindlestiff Studio cultivates artists who reflect and celebrate the diverse values, traditions, and histories of Pilipino and Filipino American cultures through bold artistic expression and community engagement.

Writing is often an isolating experience. That’s why it can be helpful to meet with others who share your writing interests to exchange ideas and resources. Since 1984, the Monadnock Writers’ Group has provided fellowship and support to writers in all genres and at all levels of achievement. Our free monthly speaker series brings a variety of accomplished writers to Peterborough to share their experiences and expertise with members. These speakers address a range of genres—fiction, creative nonfiction, poetry, screenwriting, blogging and more—from research and planning through publishing.

The NYC Department of Small Business Services (SBS) helps unlock economic potential and create economic security for all New Yorkers by connecting New Yorkers to good jobs, creating stronger businesses, and building thriving neighborhoods across the five boroughs.

COCA’s mission is to enrich lives and build community through the arts. COCA uses the power of the arts and education to build a vibrant St. Louis that is creative, connected and inclusive. A national leader in innovative arts education, COCA provides meaningful arts experiences in our own studios, gallery and theatres, as well as in schools, community centers and corporate settings around St. Louis. The fourth largest multidisciplinary community arts center in the country, we annually serve more than 50,000 people of all ages, backgrounds, and ability levels—from enthusiastic amateurs to emerging professionals—all taught by a faculty of more than 250 distinguished teaching artists. Through dance, vocal music, theatre, art and design, and beyond, we nurture the artistic and creative pot...

To educate, entertain, and enrich our community by producing quality theater and performing arts programs that are diverse and inclusive.

OZ Arts supports the creation, development and presentation of significant performing and visual art works by leading artists whose contribution influences the advancement of their field.

We bring together Maine writers, editors, publishers, booksellers, and literary professionals at all stages of their careers to sharpen craft, create community, and celebrate great writing. The MWPA fosters a greater awareness and readership of Maine writers; builds networks of writers, readers, and publishers; creates opportunities for writers to improve their craft; and acts as the foremost authority on Maine literary news, keeping our members and the public alike engaged and informed.

Mission: To remove the “ILLUSION OF INCLUSION” in the American Theatre, by building a sustainable ethical roadmap that will increase employment opportunities for Black theatre professionals. Our vision is to reshape the working ecosystem for those who have been marginalized by systemically racist and biased ideology.

Our mission is to Enable a Unified Cultural Awakening by making the Arts and Literacy Accessible and Affordable for the entire community. Casa de la Cultura has been providing a community focused outlet for the youth and adults of Del Rio for over 35 years.

Write Act Repertory is a membership-based organization of over 100 volunteers whose artist members include Writers, Actors, Directors, Designers and Technical personnel. Write Act Rep specializes and is dedicated to the development of original plays, lesser known works by established writers, adaptations of classical-themed materials and musicals. Write Act Rep also produces rarely seen works.

The Graphic Artists Guild’s primary purpose is to help our members compete effectively in an ever-changing field. We enable graphic artists and other design professionals to build and maintain successful careers by providing skills and support—from advice on the daily tasks of running a creative business to going to bat for our creative community with business and government leaders.

The mission of the Black Opera Alliance is to empower Black classical artists and administrators by exposing systems of racial inequity and under-representation of the African diaspora in all facets of the industry and challenging institutions to implement drastic reform.

Feel the heat of the lights and the thrill of applause. Develop your presence and hone your technique among a close-knit ensemble of immensely talented individuals who share your passion for performance and stagecraft. Interlochen's world-class theatre programs draw students from across the globe to unlock their potential and tap into boundless creativity. Through preparation and performance, you’ll experience tremendous growth while practicing what you love.

The Jewish Plays Project puts bold, progressive Jewish conversations on world stages. The JPP’s innovative and competitive development vehicle invests emerging artists in their Jewish identity; engages Jewish communities in the vetting, selecting and championing of new voices; and secures mainstream production opportunities for the best new plays.

Wry Crips Disabled Women's Theatre Group has been helping Bay Area women with disabilities find their voice and providing opportunities to get their stories out since 1985.

The Guild’s mission is to elevate theater companies and artists as well as the audiences that support them by providing different tools that aid in the increased productivity, visibility, and recognition of the many theatrical efforts of our region.

We Exist is a trans* led organisation that wants to provide more spaces for trans* people to platform their work, their ideas and discuss issues affecting the community. This exists through taking up space in the city of London through pop up cafes, art spaces, exhibitions and more. The ultimate aim of all the work we do will be to provide directly available funds for trans* people who need it to pay for healthcare needs in the face of ongoing failings from the current government and health service.

National Lottery Project Grants supports thousands of individual artists, community and cultural organisations. Until 31 August 2021, the fund will focus on the needs of smaller independent organisations and individual practitioners.

National Lottery Project Grants supports thousands of individual artists, community and cultural organisations. Until 31 August 2021, the fund will focus on the needs of smaller independent organisations and individual practitioners.

The Lowry is a registered charity (No: 1053962) committed to using visual and performing arts to enrich people’s lives. We present audiences with a diverse programme of theatre, opera, musicals, dance, music, comedy and visual art as well as events and activities to expand the horizons of audiences and artists alike. At the heart of our work is a commitment to our local communities and young people. Tapping into the work on our stages and in our galleries, we offer thousands of free creative participation opportunities each year. We are passionate about nurturing talent, developing creative professionals of the future and raising aspirations. We're on a mission. Our Vision: The Lowry will be a world-class arts centre based at the core of the region's creative and cultural quarter. These...

Each January, the entertainment community and film fans around the world turn their attention to the Academy Awards. Interest and anticipation builds to a fevered pitch leading up to the Oscar telecast, when hundreds of millions of movie lovers tune in to watch the glamorous ceremony and learn who will receive the highest honors in filmmaking. This year’s Nominations Announcement took place on Monday, March 15, 2021. The 93rd Oscars aired live on ABC on Sunday, April 25, 2021.

ATCA is committed to encouraging and developing new talent, promoting diversity among theater writers, and working to make arts journalism a more progressive and inclusive profession. The Helbing Mentorship Program has been designed to promote and amplify the voices of young LGBTQIA+ arts writers through scholarship, mentorship, and professional development. The Program, established in 2021, is a year-long mentorship to support the work of a theater writer. The program has been funded by ATCA members and others who seek to honor the memory of ATCA member and LGBTQIA+ pioneer Terry Helbing (1951-1994) who was a theater critic, editor, and co-founder of the Meridian Gay Theatre Production Company. ATCA members will work with the selected program participants to develop their critical wor...

Founded in 1970, OPERA America has an international membership that includes nearly 150 Professional Company Members, 300 Associate and Business Members, 2,000 Individual Members and over 16,000 subscribers to its electronic news service. The Campbell Opera Librettist Prize is awarded annually to an American librettist who demonstrates exceptional talent and the potential to make a substantial contribution to the opera literature. Conceived and funded by acclaimed librettist and lyricist Mark Campbell, the Prize is the first award in the history of American opera that specifically recognizes the opera librettist. It is designed to highlight the crucial role librettists play in the creation and success of new operatic works, and inspire a new generation of writers to dedicate their pens...

Founded in 1970, OPERA America has an international membership that includes nearly 150 Professional Company Members, 300 Associate and Business Members, 2,000 Individual Members and over 16,000 subscribers to its electronic news service. The Campbell Opera Librettist Prize is awarded annually to an American librettist who demonstrates exceptional talent and the potential to make a substantial contribution to the opera literature. Conceived and funded by acclaimed librettist and lyricist Mark Campbell, the Prize is the first award in the history of American opera that specifically recognizes the opera librettist. It is designed to highlight the crucial role librettists play in the creation and success of new operatic works, and inspire a new generation of writers to dedicate their pens...

Founded in 1970, OPERA America has an international membership that includes nearly 150 Professional Company Members, 300 Associate and Business Members, 2,000 Individual Members and over 16,000 subscribers to its electronic news service. The Campbell Opera Librettist Prize is awarded annually to an American librettist who demonstrates exceptional talent and the potential to make a substantial contribution to the opera literature. Conceived and funded by acclaimed librettist and lyricist Mark Campbell, the Prize is the first award in the history of American opera that specifically recognizes the opera librettist. It is designed to highlight the crucial role librettists play in the creation and success of new operatic works, and inspire a new generation of writers to dedicate their pens...

ABOUT THE STUDIO The New Dramatists Composer-Librettist Studio, presented in collaboration with Nautilus Music-Theater, is designed to provide an opportunity for five writers and five composers to work with professional performers, exploring the possibilities and basic elements of music-theater. The studio focuses on the process of collaboration through a series of brief exploratory assignments for the writers and composers. The exercises are then sight-read by the performers in brief working sessions. The participants rotate partners, and the process is repeated four more times. Within the two-week period, all composers work with all writers and all performers. Toward the end of the studio, an informal reading of all the compositions is held. The studio is co-directed by Ben Krywosz (Arti...

The Utah Theater Blogger Association is comprised of a group of theater patrons and professionals dedicated to the creation and support of theater in Utah.

A COOPERATIVE MISSION The Prime Produce Apprentice Cooperative operates 424 w 54 Street as a legally incorporated and wholeheartedly organized co-op supporting entrepreneurs, educators, and artists who share values of service and hospitality. Here, we work to design experiences, build companies and organizations, practice our crafts, cultivate relationships, and grow as people. Read below to learn more about the prime produce co-op and hear what drives some of our members. EVENT SERVICES Host your next event in our creative and dynamic environment. Prime produce hosts can help you or your events team craft an experience to support your event goals. Our hosting team has experience working with corporate, nonprofit, and community based clients needing a plug-and-play venue covering all lo...

Elgin Theatre Guild (ETG) is a volunteer run theatre company based out of St Thomas.

Elgin Theatre Guild (ETG) is a volunteer run theatre company based out of St Thomas.

SAG-AFTRA brings together two great American labor unions: Screen Actors Guild and the American Federation of Television and Radio Artists. Both were formed in the turmoil of the 1930s, with rich histories of fighting for and securing the strongest protections for media artists. Our members united to form the successor union in order to preserve those hard-won rights and to continue the struggle to extend and expand those protections into the 21st century and beyond. We are actors, announcers, broadcast journalists, dancers, dj’s, news writers, news directors, program hosts, puppeteers, recording artists, singers, stunt performers, voiceover artists and other media professionals. Our work is seen and heard in theaters, on television and radio, sound recordings, the internet, games, mobile...

SETC is the strongest and broadest network of theatre practitioners in the United States. We provide extensive resources and year-round opportunities for our constituents. Our services, publications, and products contribute significantly to the careers of emerging artists, seasoned professionals and academicians. SETC energizes the practical, intellectual and creative profile of theatre in America.

If you think you are eligible, now is a fabulous time to apply to The Dorothy Ross Friedman Residence. The Friedman is a shared housing (roommates) residence that offers affordable housing for working professionals in performing arts and entertainment, persons with HIV/AIDS, and senior citizens (60 years of age or older). Most of the apartments are 2-bedrooms, where you would have one roommate and there are a few 3-bedrooms, where you would have two roommates. All tenants have a rent stabilized lease. All apartments are complete with dishwasher, washer/dryer, central heating, and AC. Many apartments have terraces with spectacular Manhattan views, and everyone has access to the Colleen Dewhurst Community Room and the newly renovated Bette Midler Rooftop and Garden. On-site social services...

OUR MISSION: Springville Center for the Arts is a multi-arts center that actively engages people from our community, our region, and beyond through performances, exhibitions, education and other arts programs. As a catalyst for creative inspiration and development, Springville Center for the Arts encourages direct participation in the arts by all segments of the community.

Caliban is a three time MacDowell Fellow and has been a Resident Artist at the RS9 Theatre in Budapest, Hungary; The Ilkhom Theatre in Tashkent, Uzbekistan; HERE Art Center; and Galapagos Art Center. He was the recipient of a Rockefeller Foundation Grant and has been a New York State Council on the Arts Panelist for Playwriting. In the academic world, Caliban has directed, taught and/or lectured at The National Theatre Conservatory, NYU, Columbia University, C.W. Post College, Hunter College, The City College of New York, Towson University, The Lincoln Center Director’s Lab, and The Director’s Guild. ​ He received his education at Bard College, the Yale School of Drama and the New York Film Academy.

The Black Actors Guild was founded in 2009 by 5 African-American high school students. Created with the objective goal of producing intelligent, engaging entertainment spanning not only the theater world but encompassing all art forms in general. The members of The B.A.G. quickly established themselves as a progressive network of actors, artists, dancers, musicians and poets. Today, they are a racially diverse company that specializes in not only the curation and promotion of Denver-local, independent artists but also provide education, activation, and production. Their work has been monumental in the Denver theater scene as well as providing progressive art-integrated programs for local schools. In addition to housing a majority of their projects in the Atlas Theatre located at 1400 Willi...

The Center for Cultural Innovation (CCI) was founded in 2001 as a California 501(c)3 nonprofit corporation. Its mission is to promote knowledge sharing, networking, and financial independence for individuals in the arts by providing business training, grants, and incubating innovative projects that create new program knowledge, tools and practices for artists in the field, and conditions that contribute to realizing financial self-determination.

The Writers Guild of Sweden (Dramatikerförbundet) is an association that, since 1941, organizes screenwriters, playwrights and translators of dramatic text. The Guild today has over 700 members. We work to strengthen our occupations by offering legal and economic advice, by monitoring cultural and economic policy, and by being active on all fronts in which copyright is an issue. We cooperate, we network and we inspire. We also host since 1997 DramaDirekt, Sweden’s largest online library of modern dramatic literature. International relations are essential to the work of the Guild. We are members of the Nordic Writers Guild, the Federation of Screenwriters in Europe and other transnational organizations.

The SACD’s missions and values On behalf of and for authors, the SACD defends their rights and their liberties. It provides authors with support and assists them throughout their careers. The SACD is a society of authors, a not-for-profit, non-trading company founded by authors, that united with Beaumarchais in 1777 to defend their rights. Its missions have developed over the years, but the values it defends remain the same and are now as relevant as ever. Collective and individual missions Defense The SACD is mandated by its member and owner authors to protect and defend their rights. In an environment undergoing significant change – both structurally and technologically – we ensure respect for and the recognition of authors’ work and their place in the creative chain in France and the...

ATACs mission/purpose is to recognize and celebrate the work of our local theater artists and to stimulate and encourage the pursuit of excellence in artistic and production standards. ATAC Globe Awards are presented annually for approximately 25 categories including excellence in production, direction, lead and supporting actors and actresses, musical direction, choreography, and artistic design areas (Scene, Lighting, Costumes and Sound). An additional Globe Award recognizing special contribution to San Antonio theater is presented by the Board of Directors in the name of founder and past president Jasmina Wellinghoff.

Our mission is to support theatre on Austin stages, primarily through the management of the B. Iden Payne Awards. Our Nominations Committee is composed of local theatre performers, producers, and advocates. Each member is required to view four eligible performances each month, and we meet to discuss performances for inclusion on our short list. This list is reviewed at the end of the year, and narrowed down to the final nominations in each category. We add new members to our Nominating Committee every August, and begin the recruitment process in June. We are always interested in adding new perspectives, and are currently most interested in adding individuals from the technical theatre community, people of color, and playwrights. If you are interested in joining,

The Writers Guild Foundation celebrates the vital importance of screen storytelling and storytellers. Founded in 1966, the Writers Guild Foundation preserves and promotes the history and craft of writing for the screen. A 501(c)(3) nonprofit organization, we’re proud of all we do for the community, including our Veterans Writing Project, our Volunteer and Mentorship Programs, our Archive, and the Shavelson-Webb Library.

The Writers Guild Foundation celebrates the vital importance of screen storytelling and storytellers. Founded in 1966, the Writers Guild Foundation preserves and promotes the history and craft of writing for the screen. A 501(c)(3) nonprofit organization, we’re proud of all we do for the community, including our Veterans Writing Project, our Volunteer and Mentorship Programs, our Archive, and the Shavelson-Webb Library.

The Authors Coalition of America LLC is an organization of twenty-three independent authors' organizations representing text writers, songwriters, visual artists, illustrators and photographers. This formal association marked a milestone in the history of American author groups, and our union has had a healthy unifying effect on American writers as a whole. Together, we represent over 58,000 authors and artists. The Coalition was formed in 1994, by ten founding Member Organizations, for the purpose of repatriating and distributing the creator's share of foreign non-title specific royalty payments for American works photocopied abroad. Previous to 1994, these collective funds were sent to a U.S. licensing agency, Copyright Clearance Center, Inc. (CCC), where they were spent on copyright enf...

Brazosport Center for the Arts and Sciences is the cultural home for an entire community of approximately 340,000 people. Established in 1976 as a result of the visioning and commitment of the region’s industrial and civic leadership, The Center has become a shining example of what is extraordinary about living and working in this unique location on the upper Texas Gulf Coast. Owned and operated by the Brazosport Fine Arts Council, a 501(c)3 non-profit organization, The Center is a facility that has the responsibility of providing performance and exhibit space to its permanent residents, including Brazosport Art League, Brazosport Museum of Natural Science, BASF Planetarium, Brazosport Center Stages community theater and Brazosport Symphony Orchestra. All of the various activities are vo...

Playwrights Ink is a Madison, WI non-profit association of theater artists dedicated to the development of playwrights and their work. Our members include area playwrights, actors, directors, and theater enthusiasts. Through informal readings at our monthly meetings we help writers develop their scripts. Actors read a writer’s script, which is followed by a discussion during which members explain what they thought was effective and offer constructive suggestions. Anyone can attend a meeting and offer feedback. While we are not a production company, we have on occasion presented public staged readings of our members’ plays, following which we encourage audience feedback. In July 2013, in honor of our 21st year, Madison Performance Collective with Mercury Players Theatre produced Coming of...

Our goal is to celebrate the rich and vibrant theatrical activity taking part in Kentucky. We seek to facilitate open communication among the academic, community, and professional theatre companies in the state; promote high theatrical standards; and help build awareness and appreciation for theatre in all its forms.

To educate, connect, and empower musical theatre’s next generation of creators. MTWC is a two-year, full-time educational program for emerging musical theatre writers, composers, and directors, currently housed at the Dramatists Guild of America. We foster rich collaborative relationships between students, performers passionate about developing new work, and the larger theatre industry. Our multi-award-winning faculty of working professionals offers mentorship, insight into the form of musical theater based on years of experience, and continual encouragement to explore its boundaries. MTWC is committed to providing this career and artistic support at a cost low enough to promote its students' financial independence and at a size small enough to ensure that each student receives continual...

Opera Grants for Women Composers: Commissioning Grants support Professional Company Members in commissioning new operatic works by women composers to produce as part of their upcoming seasons. OPERA America believes that American audiences benefit from the creative perspectives, experiences, and stories of women presented on stages nationwide. Commissioning Grants advance gender parity in the field by incentivizing opera companies to program new works by women composers in their seasons. Opera Grants for Women Composers are supported by the Virginia B. Toulmin Foundation.

Co-production is time-tested strategy to leverage the resources of several opera companies around the presentation of a single opera. It distributes production expenses across partner companies and ensures the work will have audiences in multiple cities. Nevertheless, not all companies have the financial strength or liquidity to make advance payments on a production that won’t be presented for several seasons. The Co-Production Loan Fund offers more companies the financial flexibility to take advantage of the benefits of co-producing. The Co-Production Loan Fund is made possible by the Andrew W. Mellon Foundation.

The Field’s Pilot Fiscal Sponsorship for Social Justice Arts Practitioners Program is a subsidized fiscal sponsorship membership with special benefits for individual artists and art collectives or organizations who identify as members of a historically underrepresented or marginalized group and whose creative work puts into practice and furthers values of social justice, equity, and inclusion in their communities. This is an opportunity for creatives and cultural workers of all disciplines and experience levels. This pilot program launched in 2022 with four application rounds and the aim of accepting around 15 artists per round. For each round, applications open approximately 1 month before the deadlines. Program Benefits 1 year of Fiscal Sponsorship subsidized by The Field (value of...

STA is a member service organization that began in 1991 and convenes annually to provide support and mentorship as well as share best practices with colleagues from within the United States and internationally. Membership now includes over 125 theatres, and approximately 30 Associate Members representing diverse types of theatre (indoor, outdoor, year-round, seasonal, university-affiliated, free) with wide-ranging budgets ($25,000 to $60,000,000) and Equity as well as non-Equity companies. STA’s member organizations cover a vast diversity of audiences and staffs composed of a variety of ethnicities, genders, ages and abilities. Our US national and international focus ensures a diversity of mission, vision and values within the Organization. International membership includes Argentina, Aus...

MTEA is an international community of professional scholars and artists that are a primary resource for collaboration, camaraderie, information sharing, and support for the strengthening and development of musical theatre educators. We are united by a love of musical theatre and encourage the development of, and commitment to, the highest current standards in education and training. We provide support to the musical theatre community by promoting discussion and dissemination of musical theatre pedagogy through an anti-racist and inclusive lens, across all aspects of identity. MTEA will be a leading informational resource for musical theatre training programs through its robust and diverse membership of educators. It will facilitate mentorship and support for all members and will address c...

Humans love emotions. And the entertainment industry relies on this fact. By showcasing a plethora of emotional scenes and acts, they engage us in such a way that we sit there, smitten and awestruck, traveling with them wherever they go. Motion pictures or movies are the norms in the field of entertainment but Theatre has got a rustic charm to it, one which can connect to the audience on a different and interpersonal level. There are a number of theatre groups in Mumbai which are dedicated to continue and grow this beautiful art form, bringing it back to its original pinnacle and presence. Avneesh Mishra’s long-envisioned thought of forming a theatre group manifested itself on 18th Jan 2008 and Rangshila Theatre Group in Mumbai was born. Rangshila Theatre Group has worked with a vision of...