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Drama League Residency Programs

New York, NY
Submission Policy
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The act of submitting creative work for a dramatist is as necessary as finishing it. But the process of finding the right submission opportunity can feel overwhelming. This is why, for more than 20 years, the Dramatists Guild has compiled a submissions and opportunities database, and published a full directory of theatres, agents, festivals, contests, workshops, retreats, and other submission opportunities to help make the life of the dramatist an easier one.

This functionality is part of suite of resources designed to help playwrights, composers, lyricists and librettists.  

Only active members or subscribers of the Guild may use the Resource Directory.

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  • The Drama League Directing Residencies are designed to support the interrogative process of a director creating theater or other work that includes live performance. The residencies offer financial support for a developmental process, rehearsal and administrative space, dramaturgical/mentor support from The Drama League artistic staff, and the opportunity to present the findings of the process publicly. The Drama League is not and will not be the producer of the project, nor of any public or private event in conjunction with this residency; the recipient is responsible for all production,...
  • Member writers read and discuss a specific play by George Bernard Shaw before responding to Shaw’s work through targeted writing prompts. The writers’ new works needn’t be commentaries on Shaw or adaptations of Shaw’s work, but original works inspired by the ideas sparked by reading and discussing the initial Shaw play as a cohort. Speakers’ Corner writers then spend the remainder of the year developing these ideas into plays to be developed through readings and workshop labs. At monthly and bi-monthly meetings, writers share their work and receive constructive feedback from one another and...
  • Irons in the Fire is Fault Line Theatre's year-round reading series of new plays in development. We believe that every play and every playwright requires something a little different, and we want to give our artists the right sandbox to play freely within. So the format for both process and presentation is intentionally malleable. Each public presentation of these works in progress is the culmination of a few hours, a few weeks, or even a few months of rehearsal, depending on what each project requires. These readings are hosted in an environment that appropriately celebrate that particular...
  • Founded in 1989, Ma-Yi Theater Company is a Drama Desk and Obie Award-winning not-for-profit 501(c)(3) organization whose primary mission is to develop and produce new and innovative plays by Asian American writers. Since its founding, Ma-Yi has distinguished itself as one of the country’s leading incubators of new work shaping the national discourse about what it means to be Asian American today.
  • Founded in 1989, Ma-Yi Theater Company is a Drama Desk and Obie Award-winning not-for-profit 501(c)(3) organization whose primary mission is to develop and produce new and innovative plays by Asian American writers. Since its founding, Ma-Yi has distinguished itself as one of the country’s leading incubators of new work shaping the national discourse about what it means to be Asian American today.
  • New York, NY
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    DGF Fellows is now available nationally through a virtual program offering. The Fellows program has traditionally only been offered to dramatists based in the tri-state area who could attend writing workshops and mentorship sessions in-person, but in DGF’s continued work to expand accessibility and resources for writers at all stages of their careers, the program will now offer a virtual option. Designed to eliminate historical barriers of entry, the Fellows program is a completely free program, hosted and designed by the Dramatists Guild Foundation. The DGF Virtual Fellows program is a year...
  • New York, NY
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    Founded in 1984, The New York Directing Fellowships bring extraordinary early-career stage directors into an extended program of creative advancement, industry-focused development, professional assistantships, and an opportunity to present their work to the field as part of the Off-Off-Broadway festival DirectorFest, the nation's preeminent festival highlighting rising directorial talent. The Fellowships nurture artistry, open doors, and usher in a maturation of skills and talent, preparing a director to work professionally at the highest levels the field can offer. NOTE: These Fellowships...
  • Founded by playwright Darrel Alejandro Holnes, the Greater Good Commission offers $500 mini grants to Latinx playwrights to write short plays, innovative in form, that reflect the times. The commission’s second round will focus on LGBTQIA+ Latinx- identifying playwrights. The year’s commissioned plays will be presented at the second annual Greater Good Theater Festival produced by the Latinx Playwrights Circle (LPC) and Pregones Theater/PRTT. The festival will be streamed online in the fall and the plays will later live in digital archives.
  • Almasi is a Zimbabwean American Dramatic Arts Collaborative Organization. Our vision is to professionalize the Dramatic Arts industry in Zimbabwe through education, facilitation, and collaboration with professional American Dramatic Artists and Artistic Institutions.
  • Theaterlab is an artistic laboratory dedicated to research into the nature of live performance. Through the development of new and experimental work, including theater, music, and visual arts, Theaterlab supports New York City’s diverse community of artists as well as the general public interested in seeing emerging new work. Theaterlab also focuses on audience development as a creative project. We regard the theatrical experience as a creative public assembly with the audience as an important partner in fulfilling our mission. In addition to producing and presenting new work, Theaterlab...
  • New York, NY
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    The Asian Cultural Council works to advance international respect and understanding between people and cultures through transformative cultural exchange.
  • New York, NY
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    The Jonathan Larson Grants are intended to honor and recognize emerging musical theatre artists. Composers, lyricists, and librettists who work in musical theatre are the focus of the grants. ATW is committed to serving artists who are creating new, fully producible works for the theatre, and advancing the art form. The grants do not honor a specific piece or project. Grant awards are based on merit, and are intended for those artists with a demonstrated commitment and dedication to a career in musical theatre. Further, the grants are not intended to be scholarships, and artists applying for...