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Shubert Theatre

New York, NY
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dg resource directory
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  • New York, NY
    The Shubert Theatre had its genesis in the New Theatre, an “art” playhouse located on Central Park West that was devoted to serious repertory drama. Although the project was a critical and commercial flop, the New Theatre Group, which included Lee Shubert, leased a plot of land between 44th and 45th street to construct a new venue. The plan was abandoned, but Lee Shubert and Winthrop Ames, a former New Theatre partner, acquired a lease for the site, and built two adjoining playhouses there. Lee and J.J. operated the larger of the two auditoriums, which they named the Sam S. Shubert Memorial...
  • New York, NY
    The Majestic Theatre was originally built in 1927 by real-estate magnates, the Chanin Brothers, as part of a three-theatre complex that also included the Royale (a mid-sized house) and the Theatre Masque, now the John Golden (a small house). The Majestic, a large musical house, complemented the other two venues, enabling producers to move shows based on their ticket sales to the most appropriately-sized venue. In 1930, the Chanins transferred ownership of all three houses to the Shuberts. Access Information Theatre is not completely wheelchair accessible. There are no steps into the theatre...
  • New York, NY
    The Gerald Schoenfeld Theatre is a Broadway theatre, previously known as the Plymouth Theatre, and renamed in 2005 in honor of Gerald Schoenfeld. The Shuberts built the Gerald Schoenfeld Theatre (formerly the Plymouth) along with the contiguous Broadhurst in 1917. The playhouse was initially leased to producer Arthur M. Hopkins who achieved much success in booking it. It was renamed the Gerald Schoenfeld in 2005 to honor the late chairman of the Shubert Organization. ARCHITECTURE The Schoenfeld was the architect Herbert Krapp’s first independent commission. The interior design motifs,...
  • New York, NY
    The TheaterMakers Studio is a digital training program and community for theater makers at all stages in the process who want to get produced and take their career to the next stage. Whether you have a great idea and are struggling with where to start, or want to get the attention you deserve for your play or musical, or need guidance on what to do after you've done a few readings . . . we can help. Our faculty of award-winning professionals provide expert training on a range of subjects, including playwriting, dramaturgy, producing, developing new work, directing, branding, and more. And...
  • To educate, connect, and empower musical theatre’s next generation of creators. MTWC is a two-year, full-time educational program for emerging musical theatre writers, composers, and directors, currently housed at the Dramatists Guild of America. We foster rich collaborative relationships between students, performers passionate about developing new work, and the larger theatre industry. Our multi-award-winning faculty of working professionals offers mentorship, insight into the form of musical theater based on years of experience, and continual encouragement to explore its boundaries. MTWC...
  • New York, NY
    The John Golden Theatre was originally built in 1927 as the Theatre Masque by real-estate magnates, the Chanin Brothers, as part of a three-theatre complex that also included the Royale (a mid-sized house) and the Majestic (a large house). The Theatre Masque, the most intimate of the three, was designed for serious dramas. In 1930, the Chanins transferred ownership of all three venues to the Shuberts. In 1937, when John Golden assumed its management, he renamed it after himself, the third playhouse to bear his name. The Shuberts took back control of the theatre in 1946, turning it into a film...
  • End of Play.® is an annual initiative, created by the Dramatists Guild, to incentivize the completion of new plays, scores or songs over the period of one month. Starting with a successful launch in 2020, hundreds of participating dramatic writers across the world connected with one another to overcome obstacles that stand in the way of writing the first draft of new plays. Each year, writers set goals for themselves at the beginning of End of Play.® month and post weekly updates about how they are doing to the community. Goals may include writing a new full-length play/musical, two one-act...
  • New York, NY
    The DLDF believes that the advancement of our society relies on the unfettered expression of our words. The Dramatists Guild has created the Dramatists Legal Defense Fund to advocate and to educate, and to provide you with a new resource in defense of the First Amendment and on behalf of a robust public domain.
  • We are the American Federation of Musicians of the United States and Canada, professional musicians united through our Locals so that: We can live and work in dignity; Our work will be fulfilling and compensated fairly; We will have a meaningful voice in decisions that affect us; We will have the opportunity to develop our talents and skills; Our collective voice and power will be realized in a democratic and progressive union; We can oppose the forces of exploitation through our union solidarity.