A new theatrical licensing company is on the scene, with shows both new and established and an all-digital model for materials. Uproar Theatricals was created to transform how regional, school, stock, and amateur groups license plays and musicals by offering works centering on characters in their teens through 30s and by streamlining the materials rentals process. The company is founded by Broadway entertainment lawyer Nathan Sheffield, playwright and theatre educator Kyle Holmes, actor and director Laura Hall, and composer David Taylor Gomes.

Founded in 2007, The Westchester Review is dedicated to publishing the work of established and emerging writers. We have received acclaim from The New York Times and local media. We started as an annual print edition. In 2020, we transitioned to publishing quarterly online issues. Our readership has increased exponentially, and we now have international visibility.

Monologues for Actors. By Actors.

Confrontation Magazine publishes a collection of writing and art across a wide variety of mediums, from playwriting to poetry.

Romemu is a welcoming, experiential, irreverently pious, intergenerational Jewish community that elevates and transforms individuals and communities into more compassionate human beings. Committed to powerful prayer and transformative spiritual practices, Romemu attempts to engage the heart, mind and body in everything we do, helping us to foster greater levels of compassion. We believe that Judaism offers spiritual seekers and skeptics alike a path that celebrates our wholeness and provides practical, grounded ways to heal our brokenness. We are committed to helping to birth a post-...

Beat by Beat Press is a new online publisher of fresh, contemporary children's musicals founded by a group of writers and arts educators in New York City. Beat by Beat, led by Denver Casado, consists of a family of award-winning writers and arts educators in New York City, Chicago and Los Angeles, all passionate about creating a refreshing new catalogue of high quality musicals and songs for young actors.

Broadway Play Publishing Inc was established in New York City in 1982 with a mission to publish and license the stage performance rights of the finest contemporary American plays.

Broadway Play Publishing Inc was established in New York City in 1982 with a mission to publish and license the stage performance rights of the finest contemporary American plays. Our growing catalog consists of over 1,000 plays and over 300 authors, among them such theatrical luminaries as Constance Congdon, María Irene Fornés, A R Gurney, Tony Kushner, Neil LaBute, Richard Nelson, Eric Overmyer, José Rivera, Naomi Wallace, and many others. Our authors have been produced on Broadway and Off, in London’s West End, and in theaters across the United States and around the world. They have won...

Music Theatre International (MTI) is one of the world's leading theatrical licensing agencies, granting theatres from around the world the rights to perform the greatest selection of musicals from Broadway and beyond. Founded in 1952 by composer Frank Loesser, and orchestrator Don Walker, MTI is a driving force in advancing musical theatre as a vibrant and engaging art form.

As a major international publishing company, many Simon & Schuster titles are published globally, and its products –hardcovers, trade and mass market paperbacks, children’s books of every format, electronic books, audiobooks (in compact disk and digital download) of bestselling and critically acclaimed fiction and nonfiction for readers of all ages and every conceivable taste — are distributed in more than 200 countries around the world.

Est. 2006. Whenever one of our titles is performed, we are the exclusive source of authorized performance rights and show materials. We represent Tony Award®-winning Broadway shows, Olivier Award-winning West End shows, and a wide variety of Off-Broadway and Theatre for Young Audiences musicals.

In 1923, Norton and his wife, Mary Dows Herter Norton, hired a stenographer and began transcribing and publishing the lectures delivered at the People’s Institute, the adult division of Cooper Union in New York City. While initially modest in scope, this enterprise embodied the Nortons' progressive vision that leaders in their fields—not mere popularizers—should “bring to the public the knowledge of our time.”