Almasi is a Zimbabwean American Dramatic Arts Collaborative Organization. Our vision is to professionalize the Dramatic Arts industry in Zimbabwe through education, facilitation, and collaboration with professional American Dramatic Artists and Artistic Institutions.

Est. 2002. Fractured Atlas empowers artists, arts organizations, and other cultural sector stakeholders by eliminating practical barriers to artistic expression, so as to foster a more agile and resilient cultural ecosystem.

Est. 2011. Trusty Sidekick Theater Company creates bold, original productions for young people and their families. innovative model for developing new work engages the target audience — the kids themselves — in the creation process of theater designed especially for them and their families.

Irons in the Fire is Fault Line Theatre's year-round reading series of new plays in development. We believe that every play and every playwright requires something a little different, and we want to give our artists the right sandbox to play freely within. So the format for both process and presentation is intentionally malleable. Each public presentation of these works in progress is the culmination of a few hours, a few weeks, or even a few months of rehearsal, depending on what each project requires. These readings are hosted in an environment that appropriately celebrate that particular...

Fault Line Theatre creates and produces socially relevant, character-driven plays for today’s audiences. By employing the best members of our artistic community, Fault Line Theatre strives both to challenge veteran theatergoers and welcome those new to the art form. Fault Line Theatre is committed to creating a diverse artistic and administrative environment and is an equal opportunity employer. All qualified persons will receive consideration for employment without regard to race, color, religion, gender, gender identity or expression, sexual orientation, national origin, genetics,...

Member writers read and discuss a specific play by George Bernard Shaw before responding to Shaw’s work through targeted writing prompts. The writers’ new works needn’t be commentaries on Shaw or adaptations of Shaw’s work, but original works inspired by the ideas sparked by reading and discussing the initial Shaw play as a cohort. Speakers’ Corner writers then spend the remainder of the year developing these ideas into plays to be developed through readings and workshop labs. At monthly and bi-monthly meetings, writers share their work and receive constructive feedback from one another and...

Founded in 2006 by David Staller, GTG has carved a permanent niche for the work of George Bernard Shaw within the social and cultural life of New York City, and, through our Project Shaw reading series, was the first group ever to present all 65 of Shaw’s plays in performance. GTG brings together performers, critics, students, academics and the general public with the opportunity to explore and perform Shaw’s work and to create new work based on the values that Shaw championed. Through performances, symposiums, educational programs, new play development, and outreach, GTG encourages all...

Mission: We use the language of playwrights to inspire the creation of specific worlds on stage. We work to develop our artists’ skills by investing in projects that nurture and challenge our talents. We believe in the power of a shared experience between our artists and our audiences, using plays to inspire curiosity and self-reflection. American Bard Theater Company is a not-for-profit organization serving the Greater New York community.

Est. 1991 to assert the presence and significance of Asian American theatre in the United States, demonstrating its vital contributions to the fabric of American culture. We present the following repertory: • European and American classics as written with all Asian American casts; • Adaptations of these classics by Asian American playwrights; and • New plays – preferably world premieres – written by non-Asian Americans, not for or about Asian Americans, but realized by an all Asian American cast.

Theatre Now New York (TNNY) is a nonprofit professional theatre company focused on the production of new plays and musicals, recognizing that fully staged productions provide the best process for the development of new work.

Theatre Development Fund, a not-for-profit organization, was created with the conviction that the live theatrical arts afford a unique expression of the human condition that must be sustained and nurtured. TDF’s twofold mission is to identify and provide support, including financial assistance, to theatrical works of artistic merit and to encourage and enable diverse audiences to attend live theatre and dance in all their venues.

Est. 1991. Dedicated to developing innovative works that explore theatrical language and form, fostering an artistic dialogue with audiences on the social, political, and human issues that affect us all. In service to this goal, Tectonic supports readings, workshops, and full theatrical productions, as well as training for students around the country in our play-making techniques.