dg resource directory
The act of submitting creative work for a dramatist is as necessary as finishing it. But the process of finding the right submission opportunity can feel overwhelming. This is why, for more than 20 years, the Dramatists Guild has compiled a submissions and opportunities database, and published a full directory of theatres, agents, festivals, contests, workshops, retreats, and other submission opportunities to help make the life of the dramatist an easier one.

This functionality is part of suite of resources designed to help playwrights, composers, lyricists and librettists.  

Only active members or subscribers of the Guild may use the Resource Directory.

Update or Submit a New Listing Use our submission form to submit new listings or update a current one.

Not a Member? Join today and learn how membership in the only trade association for playwrights, composers, lyricists and librettists can serve your career.

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RELATED ORGANIZATIONS

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  • Seattle, WA
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    Red Rover is a scrappy theatre company launched in Seattle in 2016 by two veteran playwrights, John C. Davenport and Duane Kelly. Frustrated with the limited production opportunities for new plays, they decided to take charge and put up their own work. The company's inaugural production, staged October 2016, was John’s play Red Rover (from which the name for their company was shamelessly stolen). Duane's new play Das Ende, produced March 2017, was the second presentation. Third up was Duane's Visiting Cezanne in March 2018, followed by John's Asylum in Georgia in February 2020. The plan is to...
  • Seattle, WA
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    We are currently working with the City of Seattle and Seattle Center, to create a new model for Bumbershoot that honors both the festival’s origin and history, while ensuring the festival is sustainable for the long haul. Bumbershoot will return to Seattle Center September 4-6, 2020.
  • Seattle, WA
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    Azeotrope’s mission is to create a space where audiences confront the marginalized and obscured, bringing visibility to the invisible. We hope to broaden Seattle’s cultural and artistic environment with vital, urgent, and exciting projects that would otherwise be underrepresented.
  • Rain City Projects supports playwrights and their work in the Pacific Northwest. We develop projects to raise the profile of the playwright within the working theater community, and build relationships between theater artists and producers. We publish. We Grant. We ignite solidarity in the Seattle-area playwriting community with lively brunches, salons, readings, writing retreats, and speed dating between writers and directors.
  • The Mahogany Project began in June 2006, when seven African-American female artists came together from various disciplines including spoken word, playwriting, vocal performance, and arts administration. Realizing that there weren't many opportunities in the Arts for African-American women, they decided to develop a project that would create more opportunities for them. The women of The Mahogany Project committed to collaborating in hopes of creating opportunities for local Seattle theatre artists.
  • Seattle, WA
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    Reboot Theatre Company tests new interpretations of established works through nontraditional casting, design, and methods yet to be discovered.
  • Seattle, WA
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    Our mission is to produce classical plays with diverse female and non-binary casts, re-imagining these works for a contemporary audience.
  • Seattle, WA
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    The Core Ensemble unites tradition with innovation to produce invigorating new performance events which celebrate the individual, centralize artists in the process of creation, and engage curious and unexpected audiences in Seattle.
  • Seattle, WA
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    Strawberry Theatre Workshop is committed to the idea that the theatre is the people's place of aspiration, and that any voice from the stage is translated exponentially into conversations at coffee shops, bus stops, classrooms, and play fields. Strawshop is dedicated to the idea of ensemble, in the broadest sense of the word. Our ensemble does not only mean a resident company of workers, but a collective that includes our work, our audience, and our neighborhood. This is an activist stance. To be a good neighbor is to be a relevant neighbor, a responsible neighbor, and a vocal neighbor.
  • Seattle, WA
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    Seattle Playwrights Circle gathers writers for the creation of new theater work. We dedicate ourselves to providing playwrights an opportunity to receive feedback on new plays from their peers every month. All are welcome.