dg resource directory
The act of submitting creative work for a dramatist is as necessary as finishing it. But the process of finding the right submission opportunity can feel overwhelming. This is why, for more than 20 years, the Dramatists Guild has compiled a submissions and opportunities database, and published a full directory of theatres, agents, festivals, contests, workshops, retreats, and other submission opportunities to help make the life of the dramatist an easier one.

This functionality is part of suite of resources designed to help playwrights, composers, lyricists and librettists.  

Only active members or subscribers of the Guild may use the Resource Directory.

Update or Submit a New Listing Use our submission form to submit new listings or update a current one.

Not a Member? Join today and learn how membership in the only trade association for playwrights, composers, lyricists and librettists can serve your career.

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less than  mi
  • Rapid City, SD
    At Big Dog Publishing, we're committed to theatre and helping student actors of all ages appreciate the arts by offering cool, award-winning plays.
  • Rapid City, SD
    Est. 2005. Plays for community, professional, and university theatre. Prefer produced/award-winning work.
  • Kirkland, WA
    CTP publishes contemporary Christian musicals that convey biblical values in an energetic and entertaining way. We have licensed over 190 productions to schools, churches, home school groups and community theatres across the globe.
  • Seattle, WA
    Stage Partners was founded in 2015 by two internationally-produced playwrights who wanted to serve young artists and audiences around the globe. The two playwrights, Jason Pizzarello and Morgan Gould, felt that finding high quality material for school, community theater or performance groups shouldn't have to be so complicated. Why should it be so difficult to search, select and order plays to perform? And why should teachers, artistic directors and group leaders spend time and money ordering and reading plays that they ultimately don’t choose to produce? How can one decide to produce a play...