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The act of submitting creative work for a dramatist is as necessary as finishing it. But the process of finding the right submission opportunity can feel overwhelming. This is why, for more than 20 years, the Dramatists Guild has compiled a submissions and opportunities database, and published a full directory of theatres, agents, festivals, contests, workshops, retreats, and other submission opportunities to help make the life of the dramatist an easier one.

This functionality is part of suite of resources designed to help playwrights, composers, lyricists and librettists.  

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  • London Playwrights’ Blog was started in 2013 as a resource for emerging playwrights. We aim to bring together the latest opportunities, best resources, and good advice in one place. In 2015, the team formed London Playwrights’ Workshop Ltd as a non-profit company to help expand this support for writers through workshops, events, and expanded online resources.
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    We’re looking for monologues on the theme of ‘Lost Soul’ for a new storytelling podcast. Any writer is welcome to submit, but priority will be given to writers who are only just starting out and/or have had limited professional exposure. We’d especially like to encourage late-career writers. That is, writers who have come to writing a few years into another career and are looking for a low-pressure environment in which to try something out.
  • We stage short plays written, directed and performed by artists of colour. Our aim is to increase the representation of emerging BAMER creatives in theatre.
  • London Theatre Company supporting emerging artists and producing new works.
  • Slackline Stories: a writing night held in London. Slackline wants to redress the balance in the stories being told and who’s telling them - working with female-identifying writers to offer new-writing plays that have female characters at their heart, focusing most specifically on stories of women aged 35+.
  • Slackline will put women in the driver’s seat to provide audiences with uplifting entertainment experiences that will impact their lives. We want to redress the balance in the stories being told and who’s telling them- working with female writers to offer new-writing plays that have female characters at their heart, focusing most specifically on stories of women aged 35+. Slackline wants to be more than just a theatre company. We want to support our artists and extend our reach beyond the actors, writers and directors who work on our shows to create a community (and have a lot of fun doing it...
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  • Sky Blue Theatre Company chooses five plays to be produced in a London venue. One of the winning plays will also be chosen to be made into a short film. This year’s performance will take place in October.
  • The Theatre Artists Fund has been set up to provide emergency support for theatre workers and freelancers across the UK. It is for theatre professionals who are in need of urgent and critical financial support due to the devastating impact of Covid-19 on the theatre sector. The Fund has been made possible from a generous donation from Netflix. Apply or Donate!
  • Fractured Time Productions takes the conventions of theatre and film and breaks them into tiny pieces to bring a new and fresh outlook. The company primarily looks at eras and centuries gone past - drawing from new writing based on historical events, Shakespeare and his contemporaries and New Translations of Ancient Greek Tragedies.
  • Black Lives, Black Words is the definition of Activist Theatre. Dedicated to social justice, Black Lives Black Words International Project commissions, develops and produces bold and unapologetic artistic responses to current social and political issues. Through exciting partnerships with like-minded arts and academia institutions, BLBW commissions new plays and films widening the accessibility to mainstream institutions and increasing the visibility of new and existing POC artists. The ambition of BLBW has led to create a successful pathway to artistic employment opportunities in the...
  • Being unable to perform this year's winning plays as we would usually, we took the decision to video them all and put them on a special YouTube channel: Pint-sized Plays 2020 - to reach a worldwide audience! Not only that but we still had a Script Slam where the audience get to vote for their favourite script - but this year it was a virtual Script Slam! And we now have the results - based on the votes from our worldwide audience! Click on the Script Slam tab to find out who won what!