Theater Breaking Through Barriers (TBTB) is the only professional Off-Broadway theater organization dedicated to advancing artists and developing audiences of people with disabilities and altering the misperceptions surrounding disability by proving, once and for all, that disability does not affect the quality or integrity of our art or artists.

An award-winning, artist-driven company with a commitment to developing and producing powerful, contemporary theater. While constantly evolving, we strive to maintain an ensemble approach to all our work and an articulated style of emotional immediacy in our acting and productions. In this way, we seek a theater that is adventurous, stimulating and most importantly "now", a true forum for the present culture.

As the Covid-19 pandemic continues to keep the event of live, in-person theater unsafe, Playwrights Horizons has made the difficult decision to remain dark until our community can safely gather again. While we feel this is the only responsible choice, we recognize the struggle it causes for theater practitioners whose income is reliant on non-profit theaters staying open. To help alleviate this hardship, Playwrights Horizons has created The Artists' Relief Fund, awarding $1,000 relief grants to 135 theater practitioners. 50% of all funds raised by Playwrights Horizons between Giving Tuesday...

Epic’s mission is to create bold work with and for diverse communities that promotes vital discourse and social change.

American Lyric Theater (ALT) was founded by Lawrence Edelson in 2005 to build a new body of operatic repertoire for new audiences by nurturing composers and librettists, developing sustainable artistic collaborations, and contributing new works to the national canon.

As a writers’ theater who believes there are as many distinctive styles and voices as there are playwrights, we remain open to as wide a range of plays — and approaches to playwriting — as possible. We are looking for idiosyncratic, accomplished, original theatrical voices.

MINT THEATER COMPANY finds and produces worthwhile plays from the past that have been lost or forgotten. We create new life for these plays and their authors through research, dramaturgy, production, readings, and a variety of enrichment programs. We extend that life by preserving our work—through publication, our online archives, and with broadcast quality video recordings.

Established in 1989, Pulse Ensemble Theatre is one of the oldest ensemble theatre companies in New York City. In its new home and under its new structure, Pulse is committed to two major productions a year: one summer Shakespeare site-specific outreach project, and one new script from its Playwrights’ Lab. Pulse is dedicated to theatre that is socially significant thought provoking and topical; work which illuminates the universality of the human spirit and its intrinsic needs for equality and justice.

An Emerging Global Theatre Company

The Theatre of Others is seeking submissions of 20-30 minute plays for its second annual Audio New Play Festival, which will be produced in September and October 2022. This year’s prompt is “FIFTY YEARS FROM NOW.” You may interpret the prompt broadly - your play exploring whatever themes it generates for you. Plays will be released on a weekly basis via The Theatre of Others Podcast, which can be found on Apple Podcast, Spotify, Stitcher, and all your favorite podcast platforms. If your play is chosen, you will be responsible for your own rehearsals and production. The Theatre of Others...

The Theatre of Others believes the play watches the audience. The audience is necessary and they are witness to what happens. The Theatre of Others creates a shared community of artists and audiences explore the most profound issues of our lives and times.

National Disability Theatre employs professional theatre artists who create fully accessible, world-class theatre and storytelling; changes social policy and the nation’s narrative about disability culture; and provides a guiding model in accessibility for the arts and cultural sector.