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Aquila Theatre Company

New York, NY
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Member Only Content

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  • New York, NY
    Aquila Theatre's mission is to bring the greatest works to the greatest number. We believe passionately that everyone should be given the opportunity to engage with classical drama of the highest quality at an affordable price right in their own community, experience arts from other places and exchange ideas. We re-examine what constitutes a classical work and, in so doing, seek to expand the canon. We endeavor to create bold reinterpretations of classical plays for contemporary audiences that free the spirit of the original work and recreate the excitement of the live performance. Aquila...
  • New York, NY
    Classic Stage Company (CSC) is committed to reimagining classic stories for contemporary audiences.
  • New York, NY
    The Daryl Roth Creative Spirit Award, formerly at The Lark, awarded in 2021 to Brittany K. Allen, was established by Daryl Roth in 1996 to honor artists of extraordinary vision by offering them a year-long developmental residency, will be continued at WP Theater (Producing Artistic Director Lisa McNulty), the nation’s oldest and largest theater company dedicated to developing, producing, and promoting the work of Women+ artists.
  • Vineyard Theatre is an Off-Broadway theatre company dedicated to developing and producing bold new plays and musicals by both emerging and established artists.
  • New York, NY
    Founded in 1992, Danisarte is a not-for-profit 501-c3 company whose mission is to develop original productions in English and Spanish with the goal of increasing understanding among people of many cultures and nations, and showcase the talents of minority artists.
  • Founded in 2004, Phoenix Theatre Ensemble is an Audelco, IRNE, Elliot Norton, NYITA award-winning not-for-profit 501(c)3 organization committed to the presentation of the great stories of the classical canon, and new adaptations of language-rich texts in innovative stagings that speak to and serve contemporary audiences. We are an artistic organization dedicated to nurturing a diverse resident company of classically trained and highly skilled theatre artists.
  • This landmark Off-Broadway theatre was opened in 1996 by the Tony Award winning producer Daryl Roth and comprises three exceptional venues. The unique main theatre space has hosted such hits as the long running De La Guarda and Fuerza Bruta, which played an exceptional combined 14 years; Almost, Maine; Manuscript; Striking 12, In & Of Itself and its current production, Gloria: A Life. The intimate DR2 has been home to shows including the U.S. premiere of Thom Pain (based on nothing), Stars of David, and Masked as well as our DR2 Kids programing that introduces our youngest patrons to...
  • The DR2 Theatre, built in 2002, is the newest addition to the Off-Broadway scene in Union Square. A beautiful and intimate 99-seat theater, the DR2 is the former annex of the Union Square Savings Bank, now The Daryl Roth Theatre. The DR2 has served as home to Thom Pain (based on nothing), Ears on a Beatle, as well as the DR2 Kids Theatre’s weekend family series.
  • Abingdon Theatre Company is dedicated to developing and producing brave, new American work by emerging and established artists.
  • New York, NY
    Abingdon Theatre Company is dedicated to developing and producing brave, new American work by emerging and established artists.
  • New York, NY
    Voyage Theater Company presents new and unheralded plays and playwrights from around the world, creating opportunities for collaboration between theater-makers of diverse cultures and disciplines. We serve our local community in New York City through professional productions, educational programming, internships, and discounted tickets for students and seniors. We present plays in multiple languages, and work in partnership with other non-profit organizations to broaden perspectives and build greater cultural equity across communities.
  • New York, NY
    To call into question who we are to each other in the social environment of the theatre, to undo the knots that lead to misery, to spread ourselves across the public's table like platters at a banquet, to set ourselves in motion like a vortex that pulls the spectator into action, to fire the body's secret engines, to pass through the prism and come out a rainbow, to insist that what happens in the jails matters, to cry "Not in my name!" at the hour of execution, to move from the theater to the street and from the street to the theater. This is what The Living Theatre does today. It is what it...