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      The Dramatist Quarterly Autumn 2025: Courage
      Vol. 27 No. 4
      Autumn 2025

      Courage

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TOC – New Musicals

Dramatist Guild of America
Masthead of the New Musicals Issue
Amelia French. Photo: Bronwen Sharp
Editor’s Notes on the New Musicals Issue
  • amelia french
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Thanks, Tori
  • Reginald Lewis
Kit Yan and Melissa Li
Kit Yan: Ten Questions
  • Kit Yan
Kit Yan and Melissa Li
Melissa Li: Ten Questions
  • Melissa Li
Winter Miller and C. Quintana
Enter the Good Ones: Theatres Doing Right by Their Dramatists
  • C. Quintana
  • and Winter Miller
Less is more. A pen on top and pencil on bottom pointing at each other against a orange background
When Should I Give Someone a Co-Writing Credit?
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DG Glossary: Joint Authorship
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Contracts Guide: Understanding the Dramatists Guild Model Collaboration Agreement for Musicals
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Terms of Success: A Look at the Basic Terms of a Production Agreement
  • Deborah Murad, Esq.
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Best Practices for Authorial Billing for Musicals and Opera
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The Right to Publicity: An Evolution
  • Jessica Lit
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New Musicals Q&A
  • Alan Alexander III,
  • Amy Engelhardt,
  • Adam Gwon,
  • Sonya Hayden,
  • Christine Toy Johnson,
  • Jasmine Joshua,
  • Min Kahng,
  • Kait Kerrigan,
  • Asher Muldoon,
  • Rona Siddiqui,
  • Benjamin Velez,
  • Max Vernon,
  • Zack Zadek,
  • and Jay Alan Zimmerman
Carson Kreitzer and Matt Gould
Lempicka
  • Carson Kreitzer,
  • Larry Dean Harris,
  • and Matt Gould
L-R: Alexander Gemignani, Frankie Dailey, Neen Williams-Teramachi, Chris Dieman
New Musical Development
  • Zeniba Now,
  • Jay Adana,
  • Alexander Gemingnani,
  • Neen Williams-Teramachi,
  • Frankie Dailey,
  • and Chris Dieman
Robert Horn by Bronwen Sharp for The Dramatist
How to Choose the Right IP
  • Robert Horn
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A Dramatist's Guide to Seattle
  • Elizabeth Coplan
Samm-Art Williams by A.E. Kieren
In Memoriam: Samm-Art Williams
  • Lorey Hayes
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New Guild Members – Autumn 2024
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Dramatists Diary – Autumn 2024
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Classified Ads – Autumn 2024

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