While voice is what drew me to theatre, I’m increasingly inspired by the ways that stories can be told without words, and often should be told without words.

I thrive on collaborative energy.  It’s through the sparks created by exploring ideas with actors, directors, dancers, designers, musicians and visual artists, that I find the paths into each play I write.

My plays focus on gender pressures, gender role reversals and the ever-changing parts we play as families shift due to marriage, death and divorce.

And if I can explore all that with dance and circus, all the better.