Jacquelyn Reingold writes for theatre and television. Her plays, which include Fear Less, String Fever, Kiss Me Somewhere Else,  I Know, They Float Up,  Girl Gone, A Very Very Short Play, 2B (or not 2B), and Acapulco, have been seen in New York at Ensemble Studio Theatre, Naked Angels, Theatre for One, MCC, Working Theater, HERE; at the Actors Theatre in Louisville; Portland Center Stage in Oregon; PlayLabs in Minneapolis; and in London, Dublin, Berlin, Belgrade, Lima, and Hong Kong. Honors and awards include: Kennedy Center‘s Fund for New American Plays, New York Foundation of the Arts playwriting grant, Sloan/EST commissions, Greenwall Foundation's Oscar Ruebhausen Prize, finalist Susan Smith Blackburn, and MacDowell, Yaddo, Ucross, Hermitage Fellowships. She has been published in  Women Playwrights: The Best Plays, several Best American Short Plays, by Samuel French, Vintage Books, Dramatists Play Service, and Smith & Kraus. A collection of her one-acts Things Between Us is published by DPS. Several short plays have been recorded for radio/podcast by Playing-on-Air. In television, she was a writer/Executive Producer for The Good Fight, wrote for Netflix’s Grace and Frankie, and for Emmy nominated Gabriel Byrne and Hope Davis in HBO’s In Treatment. She is a member of Ensemble Studio Theater, an alum of New Dramatists,  a founding member of Honor Roll, a mentor for Young Playwrights Ukraine. Jacquelyn also teaches dramatic writing, and privately consults with playwrights and TV writers.